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Wonder Woman: Themyscira

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Wonder Woman: Themyscira
Theatrical release poster
Directed byPatty Jenkins
Screenplay by
Story by
  • Allan Heinberg
  • Freddie Goodwin
  • Patty Jenkins
Based on
Produced by
Starring
CinematographyMatthew Jensen
Edited byMartin Walsh
Music byRupert Gregson-Williams
Production
companies
Distributed byWarner Bros. Pictures
Release dates
  • June 5, 2009 (2009-06-05) (Los Angeles)
  • June 19, 2009 (2009-06-19) (United States)
Running time
142 minutes[1]
CountryUnited States
LanguageEnglish
Budget$170 million[2]
Box office$724 million[3]

Wonder Woman: Themyscira is a 2009 American superhero film based on the DC Comics character Wonder Woman. Produced by Goodwin Studios, DC Entertainment, Atlas Motion Pictures, and Cruel and Unusual Films, and distributed by Warner Bros. Pictures, it is the fourth film in the United Cinematic Universe (UCU). Directed by Patty Jenkins from a screenplay by Allan Heinberg and Sarah Hayes, the film stars Gal Gadot as Diana Prince / Wonder Woman alongside Chris Pine, Connie Nielsen, Robin Wright, Danny Huston, David Thewlis, Rosamund Pike, Saïd Taghmaoui, and Ewen Bremner. In the film, Diana, princess of the hidden island of Themyscira, leaves her homeland after American pilot Steve Trevor crash-lands near the island and warns the Amazons of a widening global conflict secretly manipulated by Ares.

Development of a Wonder Woman film within the United Cinematic Universe began shortly after the release of Superman: Last Son (2007), when Goodwin Studios and Warner Bros. Pictures sought to introduce a mythological branch of the franchise before its first crossover film. Jenkins entered negotiations to direct in late 2007 and was officially hired in February 2008. The film was designed to contrast the urban and technological settings of Superman: Last Son, Iron Man: Armored Dawn (2008), and Batman: Gotham Knight (2008), while establishing that ancient divine beings, alien civilizations, and human superheroes existed within the same continuity. Gadot was cast in the title role after a wide international search, while Pine was cast as Trevor to provide a human perspective on Diana's first contact with the outside world.

Principal photography began in October 2008 and concluded in March 2009, with filming taking place in England, Italy, Greece, California, and several soundstages at Leavesden Studios. The production combined large practical sets for Themyscira with digital extensions, practical stunt choreography, horseback sequences, wire work, and computer-generated imagery. Jenkins emphasized Diana's compassion and idealism as the foundation of the film, while the screenplay incorporated UCU continuity through references to the Atlas Foundation, S.T.A.R. Labs, and the growing public awareness of metahumans after the events of the previous films.

Wonder Woman: Themyscira premiered in Los Angeles on June 5, 2009, and was released in the United States on June 19 as part of Phase One of the UCU. The film grossed $724 million worldwide and received positive reviews from critics, who praised Gadot's performance, Jenkins's direction, the action sequences, production design, and the film's emotional tone, though some criticism was directed at the visual effects in the final act. The film received several accolades, including nominations for its costume design, production design, sound, and visual effects. A sequel, Wonder Woman: Gods and Mortals, was released in 2015.

Plot

On the hidden island of Themyscira, Diana is raised by Queen Hippolyta among the Amazons, a warrior society created by the Olympian gods to protect humanity from corruption. Diana wishes to train as a warrior, but Hippolyta forbids it, fearing that Diana's increasing strength and unexplained abilities will attract the attention of Ares, the god of war. Hippolyta's sister Antiope secretly trains Diana, believing that the princess must be prepared for the world beyond the island. Years later, Diana discovers that she can generate bursts of divine energy during combat, though Hippolyta refuses to explain the source of her power.

American pilot Steve Trevor crashes through the magical barrier surrounding Themyscira while pursued by mercenaries using experimental weapons. Diana rescues him, and the Amazons defeat the invaders after a battle on the beach. Trevor explains that the outside world is on the edge of a wider international conflict after several covert attacks using weapons traced to the Atlas Foundation, a private research organization previously connected to military contractors and alien technology. Believing Ares to be behind the conflict, Diana steals the sword known as Godkiller, receives the Lasso of Hestia from Antiope, and leaves Themyscira with Trevor despite Hippolyta's warnings.

In London, Diana struggles to understand the modern world while Trevor reports to intelligence officer Etta Candy and senior diplomat Sir Patrick Morgan. Trevor reveals that German general Erich Ludendorff and chemist Isabel Maru have obtained a mysterious mineral capable of destabilizing matter and enhancing conventional explosives. Trevor believes Ludendorff plans to use the weapon at a peace summit, triggering a global war. Diana assumes that Ludendorff is Ares in disguise and joins Trevor's small team, which includes Sameer, Charlie, and Chief Napi, to infiltrate the front and stop the attack. Along the way, Diana witnesses human suffering directly and becomes increasingly disturbed by the indifference of governments and generals.

Diana and Trevor's team reach the occupied village of Veld, where Diana crosses the battlefield alone and helps liberate the villagers. Her actions inspire the soldiers around her and are secretly recorded by war correspondents, creating the first public rumors of an Amazon warrior fighting in Europe. During a celebration, Trevor and Diana grow closer, but Trevor warns her that human cruelty cannot be blamed entirely on one god. Diana rejects this, insisting that killing Ares will restore peace. The group later infiltrates a gala where Ludendorff demonstrates Maru's enhanced gas, which kills the population of Veld after the team fails to stop its launch.

Enraged, Diana confronts and kills Ludendorff at an airfield, but the war continues. Morgan then reveals himself as Ares, explaining that he did not force humanity into conflict but merely whispered ideas and watched mankind embrace violence. He claims the gods are dead because they underestimated humanity's capacity for destruction, and he urges Diana to join him in remaking the world. Diana attacks him, but Ares destroys the Godkiller sword and reveals that Diana herself is the true Godkiller, born from Zeus's power and hidden on Themyscira as a weapon against him. Meanwhile, Trevor discovers a bomber carrying Maru's gas toward London and sacrifices himself by piloting it to a safe altitude before detonating it.

Devastated by Trevor's death, Diana nearly kills Maru, but Trevor's final words convince her that humanity is worth protecting despite its flaws. She embraces her divine power and defeats Ares, ending his influence over the battlefield. In the aftermath, Diana disappears from public view, while surviving reports of her actions are suppressed by government agencies. Decades later, after the public emergence of Superman, Batman, and Iron Man, Diana works under the identity of Diana Prince and receives a message from Trevor's recovered files suggesting that Atlas Foundation research is connected to the same energy that once shielded Themyscira. In a mid-credits scene, Nick Fury and Amanda Waller discuss the possibility that gods, aliens, and metahumans may soon force governments to form a united response.

Cast

Gadot was cast as Diana Prince / Wonder Woman after an international search.
Jenkins directed the film and emphasized Diana's compassion as the center of the story.
  • Gal Gadot as Diana Prince / Wonder Woman:
    The princess of Themyscira and daughter of Queen Hippolyta, who leaves the island to stop Ares and discovers the complexity of humanity. Jenkins described Diana as "a warrior whose power comes from empathy rather than rage", and said the film depended on making her idealism feel active rather than naive.[4] Gadot trained in sword fighting, horseback riding, wire work, javelin movement, and hand-to-hand combat for the role.[5] Goodwin Studios wanted the character to serve as one of the moral anchors of the UCU, contrasting Superman's public hope, Batman's fear-driven vigilantism, and Tony Stark's technological guilt.[6]
  • Chris Pine as Steve Trevor:
    An American pilot and intelligence operative whose discovery of Themyscira draws Diana into the outside world. Pine said Trevor was written as a "classic adventure hero who slowly realizes he is not the hero of the story".[7] Jenkins wanted Trevor to function as Diana's guide to the modern world while also challenging her belief that evil can be traced to a single source.[8]
  • Connie Nielsen as Hippolyta:
    The queen of the Amazons and Diana's mother, who hides the truth of Diana's divine origin to protect her from Ares. Nielsen said Hippolyta's central conflict is that she has raised Diana to love truth while concealing the most important truth about her life.[9]
  • Robin Wright as Antiope:
    Hippolyta's sister, general of the Amazon army, and Diana's mentor. Wright trained in sword combat and horseback choreography, and described Antiope as "the person who knows Diana cannot stay protected forever".[10]
  • Danny Huston as General Erich Ludendorff:
    A military commander who uses experimental weapons created with Atlas Foundation research. Huston said Ludendorff is not a traditional supervillain but a human expression of the war Ares wants Diana to misunderstand.[11]
  • David Thewlis as Sir Patrick Morgan / Ares:
    A diplomat who secretly manipulates human conflict as the god of war. Thewlis said Ares was written as "less a horned monster than the quiet voice that gives people permission to be monstrous".[12]
  • Rosamund Pike as Isabel Maru / Doctor Poison:
    A chemist developing a gas weapon based on unstable divine mineral compounds. Pike described Maru as a woman whose brilliance has been warped by a world that only values her capacity to destroy.[13]
  • Saïd Taghmaoui as Sameer:
    A spy and actor who assists Trevor's mission. Taghmaoui said the role gave the film "a worldly, human ensemble" surrounding Diana's mythic perspective.[14]
  • Ewen Bremner as Charlie:
    A Scottish marksman affected by trauma from war. Bremner described Charlie as a character used to show that courage in the film is not limited to physical fearlessness.[15]

Additionally, Lucy Davis appears as Etta Candy, Trevor's secretary and ally in London;[16] Eugene Brave Rock appears as Chief Napi, a smuggler and trader who assists Trevor's team;[17] Lisa Loven Kongsli appears as Menalippe, an Amazon officer;[18] and Lilly Aspell portrays Diana as a child.[19] Samuel L. Jackson and Viola Davis make uncredited appearances in the mid-credits scene as Nick Fury and Amanda Waller, respectively.[20] Several Amazon warriors were portrayed by professional athletes, stunt performers, and martial artists to give Themyscira a physical culture distinct from the rest of the UCU.[21]

Production

Development

Goodwin Studios began discussing a Wonder Woman film after early footage from Superman: Last Son convinced executives that the UCU could support different tones and mythologies within one continuity.[22] The studio wanted the fourth film in Phase One to move away from the technological and urban settings of the previous entries and establish that ancient mythology, divine magic, and hidden civilizations existed alongside alien life and human vigilantes.[23] Freddie Goodwin said the film was designed as the franchise's "mythological door", introducing elements that would later become central to The United and the later Dawn Saga.[24]

An early treatment by Goodwin and Sarah Hayes placed Diana in the modern day from the beginning, with Trevor investigating a cult attempting to locate Themyscira after the public appearance of Superman.[25] Jenkins and Heinberg pushed for a period opening that would allow Diana's first encounter with humanity to be framed through war, idealism, and disillusionment rather than immediate superhero politics.[26] The final version used a 1910s prologue and a present-day framing device, allowing the film to function as both an origin story and a direct response to the contemporary events of Phase One.[27]

The studio considered several directors, including Kathryn Bigelow, Mimi Leder, and Karyn Kusama, before Jenkins entered negotiations in late 2007.[28] Jenkins was announced as director in February 2008.[29] She later said she agreed to direct because Goodwin Studios was willing to treat Diana as "sincere without being simple", and because the studio did not want the film to imitate either Superman: Last Son or Batman: Gotham Knight.[30]

Writing

Allan Heinberg and Sarah Hayes were hired to write the screenplay in March 2008.[31] Heinberg focused on the Amazon mythology and Diana's emotional arc, while Hayes handled the UCU continuity elements and the political context surrounding the Atlas Foundation.[32] The script went through several revisions to balance Diana's mythic worldview with the franchise's grounded shared-universe setting.[33]

The writers avoided presenting Ares as the sole cause of war. Jenkins said the story would fail if Diana simply killed one villain and solved humanity's moral problems.[34] This led to the final version of the film, in which Diana learns that Ares encourages humanity's capacity for violence but does not create it. The revelation was intended to define Diana's heroic philosophy for later films: she protects humanity because of its capacity for love and goodness, not because it is innocent.[35]

Several UCU references were added during rewrites. The Atlas Foundation, first mentioned in Superman: Last Son and expanded in Iron Man: Armored Dawn, was connected to Maru's experimental research. S.T.A.R. Labs and A.R.G.U.S. were referenced in background documents, while the mid-credits scene connected the film to the growing government response to superheroes.[36] Goodwin said these references were intended to "connect the walls, not paint over the room", meaning they were included only where they supported Diana's story.[37]

Casting

Goodwin Studios and Warner Bros. conducted a wide search for Diana, considering actresses from the United States, Europe, South America, and the Middle East.[38] Gadot auditioned with several physical screen tests and chemistry readings with Pine.[39] Jenkins said Gadot's performance combined physical authority with warmth, which she considered essential to making Diana believable as both an Amazon warrior and an outsider to modern society.[40]

Pine was cast as Steve Trevor after Jenkins and Goodwin decided the character needed to be humorous and emotionally direct without becoming a parody of a war-film hero.[41] Nielsen and Wright were cast as Hippolyta and Antiope to give the Amazon court a sense of generational authority and ideological division.[42] Thewlis was cast as Ares because Jenkins wanted the villain's human disguise to feel thoughtful and persuasive, not openly monstrous.[43]

Pike entered negotiations for Doctor Poison in May 2008 and was confirmed the following month.[44] Huston was cast as Ludendorff shortly after, with the production wanting a human antagonist who could mislead Diana and the audience regarding Ares's identity.[45] Davis, Taghmaoui, Bremner, and Brave Rock joined the cast during the final weeks of pre-production.[46]

Design and pre-production

Production designer Aline Bonetto designed Themyscira as a culture that had developed without industrialization while still possessing advanced architecture, medicine, metallurgy, and military training.[47] Jenkins wanted the island to feel ancient but not primitive, and instructed the design team to draw from Greek, Minoan, Anatolian, and Mediterranean visual references without copying any single historical civilization.[48]

Costume designer Lindy Hemming created Amazon armor that emphasized athletic movement rather than heavy medieval plate. Diana's costume went through numerous designs before the final version combined bronze, leather, crimson, and deep blue materials.[49] Hemming said the goal was to make the costume iconic without making it feel disconnected from the society that created it.[50]

The lasso was designed as both a ceremonial Amazon artifact and a practical combat weapon. The props department built several versions, including a leather version for handling, a glowing version for close-ups, and digital versions for action sequences.[51] The Godkiller sword and shield were designed with recurring UCU symbols that later appeared in The United.[52]

Filming

Principal photography began on October 13, 2008, at Warner Bros. Studios, Leavesden, under the working title Nightingale.[53] Matthew Jensen served as cinematographer.[54] The production used a mixture of practical sets and location shooting, with Themyscira interiors built at Leavesden and exterior island sequences filmed in southern Italy and Greece.[55]

The beach battle sequence was filmed over three weeks and involved more than 200 extras, stunt performers, horses, wire rigs, and practical pyrotechnics.[56] Jenkins wanted the sequence to establish the Amazons as disciplined soldiers rather than fantasy background figures.[57] Wright and Gadot performed many of their own movements during the training and battle scenes, though stunt doubles handled the more dangerous falls, flips, and horse stunts.[58]

Scenes set in London were filmed at several locations in England, including areas dressed to resemble the 1910s.[59] The battlefield scenes were filmed on constructed sets using mud, trenches, smoke, rain effects, and controlled explosions.[60] Jenkins worked with the stunt and camera teams to make Diana's first battlefield charge feel mythic while remaining grounded in the physical environment.[61]

The present-day framing scenes were filmed late in production to better align the film with UCU continuity after the final edits of Batman: Gotham Knight were completed.[62] The mid-credits scene with Jackson and Davis was filmed on a closed set, with only a small crew present to prevent leaks.[63] Filming concluded on March 4, 2009.[64]

Post-production

Post-production began while filming was still underway, with Martin Walsh editing the film.[65] Jenkins's first cut reportedly ran over three hours and placed greater emphasis on Themyscira's history, Hippolyta's fear of Ares, and the political negotiations surrounding the peace summit.[66] Goodwin Studios requested a tighter theatrical cut, though several deleted scenes were later included on the home media release.[67]

Visual effects were provided by Industrial Light & Magic, Weta Digital, Framestore, and Double Negative.[68] Effects work included the invisible barrier surrounding Themyscira, Diana's divine energy, the lasso, the final battle with Ares, digital set extensions, and background replacements for several battlefield sequences.[69] Jenkins said the most difficult part of post-production was balancing the grounded war-film texture of the middle act with the mythological scale of the final battle.[70]

The final confrontation with Ares was reworked after early test screenings suggested the emotional stakes were clear but some action beats became visually overwhelming.[71] Additional close-ups of Diana and Trevor were added to reinforce the connection between Trevor's sacrifice and Diana's refusal to accept Ares's worldview.[72]

Music

Further information: Wonder Woman: Themyscira (soundtrack)

Rupert Gregson-Williams composed the score for Wonder Woman: Themyscira.[73] Jenkins wanted the music to combine ancient percussion, strings, choir, and modern orchestral themes without making Themyscira feel like a generic fantasy world.[74] The main Wonder Woman theme used a rising string motif and war drums, while quieter cues for Diana and Trevor emphasized piano and low strings.[75]

The soundtrack album, Wonder Woman: Themyscira – Original Motion Picture Soundtrack, was released digitally and physically by WaterTower Music on June 16, 2009.[76] Critics noted the score's use of recurring motifs for Diana, Themyscira, Ares, and the lasso, several of which were reused or rearranged in later UCU films.[77]

Marketing

File:Wonder Woman Themyscira Comic Con panel.jpg
The film was promoted at the 2008 San Diego Comic-Con, where the first footage from Themyscira was shown.

Goodwin Studios and Warner Bros. began the marketing campaign for Wonder Woman: Themyscira at the 2008 San Diego Comic-Con, where Jenkins, Gadot, Pine, and Goodwin presented concept art, costume tests, and behind-the-scenes footage.[78] The first teaser trailer was attached to select international prints of Batman: Gotham Knight and released online in December 2008.[79] A full trailer premiered during the 2009 spring theatrical season and emphasized the contrast between Themyscira's isolated beauty and the brutality of the outside world.[80]

Marketing materials highlighted Diana as both a warrior and a compassionate figure, using the tagline "Before heroes united, she chose mankind."[81] The campaign also leaned into the film's connection to the UCU, with posters referencing the earlier public emergence of Superman and Batman while keeping the main story focused on Diana's origin.[82]

Tie-in partners included Mattel, LEGO, Burger King, Audi, and several publishing imprints.[83] Mattel released action figures based on Diana, Hippolyta, Antiope, Steve Trevor, Ares, and Doctor Poison.[84] DC Comics published a prelude comic set on Themyscira, while Goodwin Studios released a fictional Atlas Foundation dossier online as part of a viral marketing campaign.[85][86]

Release

Theatrical

Wonder Woman: Themyscira premiered at the TCL Chinese Theatre in Los Angeles on June 5, 2009.[87] It was released in several international territories beginning June 17 and in the United States on June 19.[88][89] The film was the fourth film released in Phase One of the UCU.[90]

The film was released in conventional theaters and selected IMAX locations.[91] Warner Bros. later re-released the film in a limited theatrical marathon ahead of The United in 2012, alongside Superman: Last Son, Iron Man: Armored Dawn, and Batman: Gotham Knight.[92]

Home media

The film was released on DVD, Blu-ray, and digital download on November 3, 2009.[93] The Blu-ray release included deleted scenes, a commentary track with Jenkins and Goodwin, featurettes on Amazon training and costume design, and a short documentary about the film's place in Phase One of the UCU.[94] A collector's edition included replica concept art cards and a booklet about Themysciran history.[95]

Wonder Woman: Themyscira was later included in the United Cinematic Universe: Phase One – Heroes Assembled box set, released after The United.[96] The film's IMAX Enhanced version was made available on the United Hub streaming collection in 2022.[97]

Reception

Box office

Wonder Woman: Themyscira grossed $309 million in the United States and Canada and $415 million in other territories, for a worldwide total of $724 million.[3] It became the fourth-highest-grossing superhero film of 2009 and one of the highest-grossing female-led superhero films at the time of its release.[98]

In its opening weekend, the film grossed $93.4 million from 4,012 theaters in the United States and Canada, ranking first at the box office.[99] Analysts credited the opening to strong awareness of the UCU brand, positive reviews, family attendance, and significant interest in Diana's first solo film.[100] The film remained in the top five for five consecutive weekends and crossed $300 million domestically in late August 2009.[101]

Internationally, the film performed strongly in the United Kingdom, France, Brazil, Mexico, Australia, Germany, and South Korea.[102] Warner Bros. described the film's global performance as a validation of Goodwin Studios' decision to diversify the early UCU slate beyond male-led urban superhero films.[103]

Critical response

On review aggregator Rotten Tomatoes, 86% of 294 critics gave Wonder Woman: Themyscira a positive review, with an average rating of 7.3/10. The website's critics consensus reads, "Led by Gal Gadot's warm and commanding performance, Wonder Woman: Themyscira brings mythic scope and emotional sincerity to the United Cinematic Universe."[104] Metacritic, which uses a weighted average, assigned the film a score of 70 out of 100 based on 43 critics, indicating "generally favorable" reviews.[105] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[106]

Critics praised Gadot's performance, Jenkins's direction, and the film's emotional clarity.[107] Todd McCarthy of Variety called the film "a handsome and unexpectedly sincere mythological adventure" and said Gadot gave the UCU "its first truly mythic hero".[108] Kirk Honeycutt of The Hollywood Reporter praised the production design and action sequences but felt the final battle "leans too heavily on digital spectacle after a more graceful first two acts".[109] A. O. Scott of The New York Times wrote that the film worked best when focusing on Diana's moral confusion rather than its franchise connections.[110]

Roger Ebert gave the film three out of four stars, praising Jenkins for treating Diana's idealism seriously and writing that the film "understands that innocence is not the same thing as ignorance".[111] Manohla Dargis praised Gadot's presence and the film's Themyscira sequences, though she criticized some of the war imagery as conventional.[112] Peter Travers of Rolling Stone called the film "the most emotionally open entry in the UCU so far", while noting that its villain reveal was less compelling than Diana's personal journey.[113]

Some critics compared the film favorably to Superman: Last Son for its hopeful tone, while others argued that Batman: Gotham Knight remained the stronger Phase One film.[114] Several commentators noted that Wonder Woman: Themyscira helped broaden the UCU's appeal and established mythological stakes that later films would expand.[115]

Accolades

Main article: List of accolades received by Wonder Woman: Themyscira

Wonder Woman: Themyscira received nominations for its costume design, visual effects, production design, sound editing, makeup, and original score.[116] The film won several genre awards for Gadot's performance and Jenkins's direction.[117] It was included on multiple year-end lists of notable superhero and fantasy films of 2009.[118]

Sequel

Main article: Wonder Woman: Gods and Mortals
Further information: List of United Cinematic Universe films

A sequel entered development after the commercial success of Wonder Woman: Themyscira.[119] Jenkins, Gadot, Nielsen, and Wright returned for Wonder Woman: Gods and Mortals, which was released in the United States on March 27, 2015, as part of Phase Two of the UCU.[120] The sequel explores Diana's public re-emergence after The United and expands the franchise's depiction of the Olympian gods.[121]

See also

Notes

References

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  3. ↑ 3.0 3.1 Template:Cite Box Office Mojo
  4. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  5. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  6. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  7. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  8. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  9. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  10. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  11. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  12. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  13. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  14. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  15. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  16. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  17. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  18. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  19. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  20. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  21. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  22. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  23. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  24. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
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  27. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  28. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  29. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  30. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  31. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  32. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  33. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  34. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  35. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  36. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  37. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  38. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  39. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  40. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  41. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  42. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  43. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  44. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  45. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  46. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  47. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  48. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  49. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  50. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  51. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  52. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  53. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  54. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  55. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  56. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  57. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  58. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  59. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  60. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  61. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  62. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  63. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  64. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  65. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  66. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  67. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  68. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  69. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  70. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  71. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  72. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  73. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  74. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  75. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  76. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  77. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  78. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  79. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  80. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  81. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  82. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  83. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  84. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  85. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  86. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  87. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  88. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  89. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  90. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  91. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  92. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  93. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  94. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  95. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  96. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  97. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  98. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  99. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  100. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  101. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  102. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  103. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  104. ↑ Template:Cite Rotten Tomatoes
  105. ↑ Template:Cite Metacritic
  106. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  107. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  108. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  109. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  110. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  111. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  112. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  113. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  114. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  115. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  116. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  117. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  118. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  119. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  120. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).
  121. ↑ Lua error in Module:Citation/CS1 at line 2547: attempt to call field 'is_valid_date' (a nil value).

Further reading

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External links

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