The [[Mob Cinematic Universe]] (MCU) films are a series of American [[Superhero film|superhero films]] produced by [[Mob Productions]] based on characters that appear in publications by [[Marvel Comics]], [[Mob Comics]], and [[DC Comics]]. The MCU is the shared universe in which all of the films are set. The films have been in production since 2019, and in that time Mob Productions have multiple films in various stages of development.
The [[Mob Cinematic Universe]] (MCU) features a list of American films and series [[Superhero film|superhero films]] produced by [[Mob Productions]] based on characters that appear in publications by [[Marvel Comics]], [[Mob Comics]], and [[DC Comics]]. The MCU is the shared universe in which all of the films are set. The films have been in production since 2019, and in that time Mob Productions have had multiple films in various stages of development.
[[Freddie Goodwin]] has produced every film in the series alongside [[Ryan Reynolds]] for ''[[Deadpool (2024 film)|Deadpool]]'' and ''[[Deadpool II]]''.
The films are written and directed by various individuals and feature large, often ensemble, casts. All entries are produced by Mob Productions, with individual films overseen by separate creative teams depending on tone and scope.
Mob Productions releases its films in groups called "Phases" which all are distributed by [[Walt Disney Studios Motion Pictures]]. The first film is ''[[Deadpool (2024 film)|Deadpool]]'' (2024), ''[[The Flash (2024 film)|The Flash]]'' (2024), ''[[Bart and X.S (film)|Bart and X.S]]'' (2024), ''[[Iron Man (film)|Iron Man]]'' (2025), and ''[[Z Justice (film)|Z Justice]]'' (2025) belong to [[Mob Cinematic Universe: Phase One|Phase One]]. [[Mob Cinematic Universe: Phase Two|Phase Two]] will feature ''[[The Flash and the Multiverse of the Speed Force]]'' (2025), ''[[Superman: Legacy of Hope]]'' (2026), ''[[Thor (film)|Thor]]'' (2026) and will conclude with ''[[Harbingers (film)|Harbingers]]'' (2026). [[Mob Cinematic Universe: Phase Three|Phase Three]] will feature ''[[Blade (film)|Blade]]'' (2027), ''[[Harbingers: Dimension X]]'' (2027), ''[[Captain America: The First Hero]]'' (2027), ''[[Fantastic Four (2026 film)|Fantastic Four]]'' (2028), and will conclude with ''Harbingers: Endgame'' (2028). The first three Phases are collectively known as "The Chaos Saga".
Mob Productions releases its films in grouped story arcs known as “Phases”, a structure inspired by Marvel Studios’ [[Marvel Cinematic Universe]] (MCU). The films form a shared fictional continuity referred to as the [[Mob Cinematic Universe]] (MCU), combining characters and concepts primarily drawn from [[Marvel Comics]] and select [[DC Comics]] properties. Distribution responsibilities vary by project and branding, with films marketed under either Marvel Studios, DC, or joint branding where applicable.
The following three Phases are collectively known as "The Multiversal Saga" which begins with ''[[Deadpool II]]'' (2029), continues with ''[[The Flash and the Multiverse of the Speed Force: The Birth of Inertia]]'' (2030), ''Infinity War Part I'' (2030), ''The Dangerous X-Men – Part One'' (2030), ''The Dangerous X-Men – Part Two'' (2031), and the final film of [[Mob Cinematic Universe: Phase Four|Phase Four]] being ''Infinity War Part II'' (2032).
[[Mob Cinematic Universe: Phase One|Phase One]] spans from 2026 to 2028 and serves as the foundational chapter of the Mob Cinematic Universe. The phase consists of four confirmed films: ''[[Spider-Man: Shadow of the City]]'' (2026), ''[[Batman: Black Signal]]'' (2026), ''[[Doctor Strange: Fracture Point]]'' (2027), and ''[[Justice League: Genesis Protocol]]'' (2028). These films introduce the universe’s central heroes, establish its tonal range across street-level, grounded, and cosmic narratives, and culminate in its first large-scale ensemble crossover.
In addition to the confirmed releases, Phase One includes three unannounced projects scheduled for release within the same period: ''[[Scarlet Witch: Hexfall]]'' (2026), ''[[Green Lantern: Beyond the Veil]]'' (2027), and ''[[World’s Finest (2028 film)|World’s Finest]]'' (2028). These films were revealed without final release dates and are intended to expand the universe’s supernatural, cosmic, and inter-franchise elements ahead of subsequent phases.
== Development ==
== Development ==
=== Films and Disney+ series ===
=== Films and Disney+ series ===
By 2007, Mob Productions was planning to produce its own films independently and distribute them through Walt Disney Studios Motion Pictures,<ref>{{Cite web|last=Thompson|first=James|title=The Rise of Independent Film Production at Mob Productions|url=https://www.cinemaevolution.org/independent-film-production-mob|publisher=Cinema Evolution|date=2007-03-12|access-date=2028-01-20}}</ref> concurrently SOI Studios, a company who already produced three films, began planning a shared universe and announced the "SOIverse",<ref>{{Cite web|last=Watson|first=Emily|title=The Ambitious Beginnings of SOI Studios' Shared Universe|url=https://www.universeinmotion.com/soiverse-beginnings|publisher=Universe in Motion|date=2007-04-08|access-date=2028-01-20}}</ref> which would feature eight films before being complete, however SOI Studios failed to release the final three films due to agreements with companies who gave budget for the films.<ref>{{Cite web|last=Davis|first=Sarah|title=SOI Studios and the Failed Promise of the SOIverse|url=https://www.filmfiasco.com/soiverse-failure|publisher=Film Fiasco|date=2007-05-15|access-date=2028-01-20}}</ref> In an attempt to save the SOIverse, SOI Studios worked with Walt Disney Studios Motion Pictures,<ref>{{Cite web|last=Harris|first=Lucas|title=The Revival of the SOIverse with Disney and Mob Productions|url=https://www.filmrevivaljournal.com/soiverse-revival|publisher=Film Revival Journal|date=2007-10-23|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Carter|first=Michael|title=Analyzing the SOIverse: What Went Wrong and How It Was Saved|url=https://www.universalanalysis.com/soiverse-analysis|publisher=Universal Analysis|date=2007-11-17|access-date=2028-01-20}}</ref> who at the time, worked with Mob Productions, who had a similar idea and had SOI Studios CEO [[Jackson Greene]] meet up with [[Freddie Goodwin]].<ref>{{Cite web|last=Lee|first=Robert|title=How Disney Helped Save SOI Studios' Failing Film Universe|url=https://www.entertainmentrescue.com/disney-soi-studios-collaboration|publisher=Entertainment Rescue|date=2007-06-20|access-date=2028-01-20}}</ref> Goodwin agreed to make two of the three films. He only requested that the final film, which was retitled to ''Deadpool II'' (2029) would be part of the then-upcoming Mob Cinematic Universe.<ref>{{Cite web|last=Morris|first=Ann|title=SOI Studios and Mob Productions: A Strategic Collaboration|url=https://www.cinematicstrategy.org/soi-mob-collaboration|publisher=Cinematic Strategy|date=2007-07-02|access-date=2028-01-20}}</ref><ref>{{Cite web|last=King|first=Brian|title=Jackson Greene and Freddie Goodwin: Pioneering Film Collaboration|url=https://www.collaborativecinema.com/greene-goodwin-meeting|publisher=Collaborative Cinema|date=2007-08-14|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Richards|first=Jennifer|title=The Integration of Deadpool II into the Mob Cinematic Universe|url=https://www.superherofilmnews.com/deadpool-mcu-integration|publisher=Superhero Film News|date=2007-09-09|access-date=2028-01-20}}</ref> SOI Studios agreed and began work.<ref>{{Cite web|last=Phillips|first=Rebecca|title=SOI Studios' Final Film Ventures: An In-depth Look|url=https://www.cinematicdeepdive.com/soi-final-films|publisher=Cinematic Deep Dive|date=2007-12-05|access-date=2028-01-20}}</ref>
By September 2012, SOI Studios president Freddie Goodwin entered discussions with Warner Bros. and Mob Productions regarding a potential merger to develop film and television projects under a unified brand. Negotiations were delayed several times due to disagreements between company leadership. During an online presentation in April 2013, Goodwin stated that discussions were ongoing and that progress toward an agreement was being made.
In June 2016, it was publicly announced that SOI Studios had merged with Mob Productions, with Goodwin retaining his position as president. By 2018, industry leaks suggested that Deadpool and Wolverine film projects were in development; Goodwin later confirmed these reports and stated that the films would form part of the first phase of a shared cinematic universe.
In 2020, Ryan Reynolds was announced to reprise his role as Wade Wilson, alongside returning cast members from ''Deadpool'' (2016) and ''Deadpool 2'' (2018). Goodwin indicated that the project would adapt elements from the earlier films while targeting an MA15+ rating rather than an R18+ classification. Development on the Deadpool and Wolverine projects continued concurrently, with Reynolds formally confirmed to return in June 2021. By June 2022, the films were being developed as interconnected entries.
At San Diego Comic-Con in 2022, Goodwin confirmed the Phase One slate, which included ''Doctor Doom'', ''The Fantastic Four'', a Deadpool film, a Wolverine film, and a mutant-focused team-up project. Later that year, the Deadpool and Wolverine films were consolidated into a single project titled ''Deadpool & Wolverine''.
Following the critical and commercial failure of ''Fantastic Four'' (2015), 20th Century Fox explored alternative approaches to the franchise. In 2017, Seth Grahame-Smith was commissioned to write a new screenplay inspired by ''Ultimate Fantastic Four'', focusing on Franklin and Valeria Richards, while Noah Hawley was hired to develop a separate Doctor Doom project. After The Walt Disney Company acquired 21st Century Fox in March 2019, development on Fox’s Marvel-based projects was suspended and control of the Fantastic Four property transferred to Marvel Studios.
Marvel Studios announced a new ''Fantastic Four'' film in 2019, with Jon Watts attached as director in 2020 before departing in April 2022. Later that year, the project was reassigned to Mob Productions for inclusion in the Mob Cinematic Universe. New writers Julianne Crestwood, Marcus V. Ellington, and Eliza Thornhill were hired, and filming concluded in 2023. Mob Productions stated that the film would introduce a third major team into the shared universe.
In June 2019, Goodwin outlined long-term plans for the franchise, projecting multiple additional phases beyond Phase Three. On July 13, 2024, he released a 90-minute public presentation detailing the future of the Mob Cinematic Universe, confirming that two films had completed filming and announcing several projects, including the crossover film ''The X-Men Chronicles'' (2027), a solo ''Doctor Doom'' film, and ''The Mutants'', which was described as the concluding entry of Phase One and the beginning of the ''Mutant War Saga''.
On December 7, 2024, Goodwin announced that ''Sunfire x Dazzler: The Mutant Face-Off'' had been canceled, while ''Ascendants'' was delayed to November 23, 2025. On April 10, 2025, he confirmed that the full slates for Phase Two and Phase Three would be unveiled at San Diego Comic-Con later that year.
In early 2026, Goodwin announced that the franchise would be "reset", though the films that were released would become unrelated.
== Films ==
Mob Productions releases its films in groups called "Phases".
By September 2012, Goodwin was in talks with Warner Bros. and Mob Productions in merging the two companies to create television and films under one brand name.<ref>{{Cite web|last=Anderson|first=Peter|title=Goodwin's Efforts to Merge Mob Productions with Warner Bros|url=https://www.industrymergers.com/goodwin-warner-bros-talks|publisher=Industry Mergers|date=2012-09-15|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Brooks|first=Elizabeth|title=The Challenges of Merging Major Entertainment Companies|url=https://www.entertainmentinsider.com/merging-entertainment-giants|publisher=Entertainment Insider|date=2012-10-22|access-date=2028-01-20}}</ref> The deal was delayed multiple times because of agreement differences with both presidents of the two companies.<ref>{{Cite web|last=Jenkins|first=Harold|title=Goodwin and Warner Bros: A Deal in Limbo|url=https://www.filmindustrynews.com/goodwin-warner-bros-limbo|publisher=Film Industry News|date=2013-04-05|access-date=2028-01-20}}</ref> During the April 2013 public online presentation, Goodwin announced he had been working hard with the other company to come to a good deal.<ref>{{Cite web|last=Foster|first=Alice|title=Inside the Goodwin-Warner Bros Talks: Navigating Corporate Agreements|url=https://www.corporatecinema.com/goodwin-warner-negotiations|publisher=Corporate Cinema|date=2013-04-18|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Nguyen|first=David|title=The Impact of Merging Film and TV Production Companies|url=https://www.cinemaevolution.com/film-tv-merging-impact|publisher=Cinema Evolution|date=2013-05-03|access-date=2028-01-20}}</ref>
In June 2016, it was pubically announced that SOI Studios would merge with Mob Productions with Goodwin retaining the role of president.<ref>{{Cite web|last=Wallace|first=Tom|title=SOI Studios and Mob Productions Merger: Goodwin Retains Presidency|url=https://www.mergersandacquisitionsjournal.com/soi-mob-merger-2016|publisher=Mergers and Acquisitions Journal|date=2016-06-15|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Kim|first=Jessica|title=The Strategic Merger Between SOI Studios and Mob Productions|url=https://www.entertainmentindustryanalysis.com/soi-mob-strategic-merger|publisher=Entertainment Industry Analysis|date=2016-07-01|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Gupta|first=Ajay|title=The Impact of the SOI Studios and Mob Productions Merger|url=https://www.filmindustryinsight.com/soi-mob-impact|publisher=Film Industry Insight|date=2016-07-10|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Thompson|first=Erica|title=Goodwin Leads Mob Productions into a New Era with SOI Studios Merger|url=https://www.globalcinematicnews.com/goodwin-leads-mob-soi|publisher=Global Cinematic News|date=2016-08-05|access-date=2028-01-20}}</ref> In 2018, multiple leaks had revealed a ''Deadpool'', ''The Flash'', and ''Iron Man'' film projects.<ref>{{Cite web|last=Chen|first=David|title=Leaked Projects Reveal Deadpool, The Flash, and Iron Man Films|url=https://www.filmleakalerts.com/deadpool-flash-ironman-leaks|publisher=Film Leak Alerts|date=2018-05-20|access-date=2028-01-20}}</ref><ref name=":2">{{Cite web|last=Adams|first=Rebecca|title=Deadpool, The Flash, and Iron Man: New Projects Under Mob Productions|url=https://www.superheromovieupdates.com/deadpool-flash-ironman-projects|publisher=Superhero Movie Updates|date=2018-06-01|access-date=2028-01-20}}</ref> Goodwin pubically confirmed the films and stated the three films will all be part of "Phase One".<ref name=":2" /><ref>{{Cite web|last=Hernandez|first=Luis|title=Goodwin Confirms New Film Projects After Leak|url=https://www.cinemanewsnow.com/goodwin-confirms-films|publisher=Cinema News Now|date=2018-05-22|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Smith|first=Michael|title=Exploring Phase One: Mob Productions' Next Big Step|url=https://www.nextgenfilmreview.com/mob-productions-phase-one|publisher=Next Gen Film Review|date=2018-05-25|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Johnson|first=Karen|title=The Future of Superhero Films at Mob Productions|url=https://www.superherofutures.com/mob-productions-superhero-future|publisher=Superhero Futures|date=2018-06-08|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Brown|first=Christopher|title=Details Emerge on Mob Productions' Integration of SOI Studios|url=https://www.entertainmentmergernews.com/mob-soi-details-emerge|publisher=Entertainment Merger News|date=2016-06-20|access-date=2028-01-20}}</ref>
At any given time, Mob Productions has future films planned five to six years out from what they have announced. By April 2014, additional storylines were planned through 2028, with MCU films through 2032 being planned by April 2022.
In 2020, [[Ryan Reynolds]] was announced to reprise his role as as Wade Wilson with other cast members from ''Deadpool'' (2016) and ''Deadpool 2'' (2018).<ref>{{Cite web|last=Miller|first=Sarah|title=Ryan Reynolds to Reprise Role in Deadpool Sequel|url=https://www.superheromoviehub.com/ryan-reynolds-deadpool-return-2020|publisher=Superhero Movie Hub|date=2020-01-12|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Evans|first=Linda|title=Deadpool 3: Bringing Back the Original Cast and What to Expect|url=https://www.comicfilmlovers.com/deadpool-3-cast-and-expectations|publisher=Comic Film Lovers|date=2020-03-05|access-date=2028-01-20}}</ref> Goodwin stated that the film would feature different aspects of the first two films that Reynolds had made and turn the material into MA15+ material,<ref>{{Cite web|last=Jackson|first=Peter|title=Goodwin Discusses Deadpool's New Direction and MA15+ Rating|url=https://www.filmratingsinsight.com/deadpool-ma15-shift|publisher=Film Ratings Insight|date=2020-02-08|access-date=2028-01-20}}</ref> feeling the need to create something that isn't R18+ right away.<ref>{{Cite web|last=Roberts|first=Jason|title=The Evolution of Deadpool: From R18+ to MA15+|url=https://www.cinemaevolution.com/deadpool-rating-evolution|publisher=Cinema Evolution|date=2020-04-20|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Singh|first=Anita|title=Goodwin's Vision for a Toned-Down Deadpool Film|url=https://www.newagecinema.com/goodwin-deadpool-vision-2020|publisher=New Age Cinema|date=2020-05-10|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Green|first=Tom|title=Deadpool's Return: A Look at the New Film's Approach and Cast|url=https://www.filmfandomnews.com/deadpool-return-new-approach|publisher=Film Fandom News|date=2020-06-15|access-date=2028-01-20}}</ref>
==== ''Captain Marvel'' ====
''Captain Marvel'' will be directed by [[James Gunn]] whilst the screenplay is currently being written by Gunn, Goodwin and [[Ethan Morland]]. ''Captain Marvel'' will be released in either 2027 or 2028, with a chance of releasing in a future unannounced phase.
During the development of ''Deadpool'' (2018), Goodwin confirmed that a sequel for ''The Flash'' (2024) that is planned to be released in a later phase.<ref>{{Cite web|last=Brown|first=Christopher|title=Deadpool and The Flash Sequel Development Updates by Goodwin|url=https://www.futurefilmfrenzy.com/deadpool-flash-sequel-development|publisher=Future Film Frenzy|date=2018-03-15|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Johnson|first=Karen|title=Goodwin Announces Sequel Plans for The Flash During Deadpool Development|url=https://www.superheromoviespectrum.com/flash-sequel-announcement|publisher=Superhero Movie Spectrum|date=2018-04-10|access-date=2028-01-20}}</ref> At the time, the film was expected to be released in the same Phase,<ref>{{Cite web|last=Foster|first=Michael|title=Insight into Mob Productions' Phase Planning and Upcoming Films|url=https://www.cinematicplanning.com/mob-productions-phase-planning|publisher=Cinematic Planning|date=2018-05-02|access-date=2028-01-20}}</ref> similarly how Marvel released two ''Iron Man'' films in a single phase.<ref>{{Cite web|last=Harris|first=Jessica|title=Goodwin Discusses Iron Man Development and Future Film Events|url=https://www.filmfutureinsights.com/iron-man-development|publisher=Film Future Insights|date=2018-06-08|access-date=2028-01-20}}</ref> Goodwin confirmed that they are developing a ''Iron Man'' film, which would lead into events that may happen in a future film.<ref>{{Cite web|last=Lee|first=Robert|title=The Strategic Release of Multiple Films in a Single Phase at Mob Productions|url=https://www.filmmakerstrategy.com/multiple-films-single-phase|publisher=Filmmaker Strategy|date=2018-07-20|access-date=2028-01-20}}</ref><ref>{{Cite web|last=White|first=Emily|title=Goodwin Confirms Ongoing Development for an Iron Man Film Leading into Future Events|url=https://www.cinematicuniversejournal.com/iron-man-future-development|publisher=Cinematic Universe Journal|date=2018-08-25|access-date=2028-01-20}}</ref>
==== ''Untitled Ascendants Sequel'' ====
The ''Untitled Ascendants Sequel'' is in early stages of development and is being written by Goodwin and Reynolds.
During production on ''Deadpool'' ''2'' (2018), a reboot for the MCU was being planned by Mob Productions with Goodwin attached to write the screenplay.<ref>{{Cite web|last=Clark|first=Samantha|title=Deadpool 2 Production and MCU Reboot Plans by Mob Productions|url=https://www.comicbookfilmnews.com/deadpool-2-mcu-reboot|publisher=Comic Book Film News|date=2018-08-15|access-date=2028-01-20}}</ref> In June 2021, Reynolds was confirmed to be reprising his role as Wade Wilson/Deadpool in the film.<ref>{{Cite web|last=Thompson|first=Erica|title=Ryan Reynolds Confirmed for Deadpool Reboot Role in 2021|url=https://www.hollywoodfilmforecast.com/ryan-reynolds-deadpool-reboot-confirmation|publisher=Hollywood Film Forecast|date=2021-06-10|access-date=2028-01-20}}</ref> Development on the first film was mixed with a potential second film as confirmed in June 2022.<ref>{{Cite web|last=Patel|first=Ajay|title=Details Emerge on Deadpool Reboot and Potential Sequel Development|url=https://www.superheroinsider.com/deadpool-reboot-sequel-plans|publisher=Superhero Insider|date=2022-06-25|access-date=2028-01-20}}</ref> By then, Goodwin announced he has worked on every project in the MCU and will focus entirely on the future of the franchise.<ref>{{Cite web|last=Nguyen|first=David|title=Goodwin’s Total Involvement in the MCU and Future Focus|url=https://www.filmuniverseexplore.com/goodwin-mcu-complete-involvement|publisher=Film Universe Explore|date=2022-07-05|access-date=2028-01-20}}</ref> In December 2019, after the release of Fox's ''Deadpool 2'', Goodwin began work on a new Deadpool franchise to have Ryan Reynolds star in which will reboot the films.<ref>{{Cite web|last=Roberts|first=Jason|title=Rebooting Deadpool: Goodwin and Reynolds Team Up for a New Series|url=https://www.nextgenfilmreview.com/new-deadpool-series|publisher=Next Gen Film Review|date=2020-02-20|access-date=2028-01-20}}</ref> In February 2020, Reynolds agreed to do the film, as long as he produced it alongside Goodwin.<ref>{{Cite web|last=Green|first=Tom|title=Ryan Reynolds to Produce New Deadpool Film Alongside Goodwin|url=https://www.cinematiccreation.com/reynolds-deadpool-producer|publisher=Cinematic Creation|date=2020-02-25|access-date=2028-01-20}}</ref>
== Television series ==
In July 2023, Goodwin took the stage at SDCC to announce future projects for the MCU.<ref>{{Cite web|last=Harris|first=Jessica|title=Goodwin's SDCC 2023 Announcements: No More Phase One Films, Yet Introduces Fantastic Four|url=https://www.comicconnews.com/goodwin-sdcc-2023-fantastic-four|publisher=Comic Con News|date=2023-07-15|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Evans|first=Gregory|title=Future of MCU: Fantastic Four and Doctor Doom Announced by Goodwin at SDCC|url=https://www.superheromovieupdates.com/fantastic-four-doctor-doom-mcu|publisher=Superhero Movie Updates|date=2023-07-15|access-date=2028-01-20}}</ref> He stated that Phase One would not have more films, though later announced that ''Fantastic Four'', would release in 2025 as part of Phase One, and will set up the ''Doctor Doom'' film coming in Phase Three. Goodwin announced more films including Blade, a project related to Spider-Man, and a film adapting the Infinity War storyline from the Marvel Comics.<ref>{{Cite web|last=Foster|first=Michael|title=Goodwin Reveals Blade, Spider-Man Related Project, and Infinity War Films at SDCC|url=https://www.futurefilmfrenzy.com/sdcc-2023-goodwin-announcements|publisher=Future Film Frenzy|date=2023-07-16|access-date=2028-01-20}}</ref> In September 2023, Goodwin announced two films titled ''Infinity War Part I'' and ''Infinity War Part II'', respectively for a undetermined release date.<ref>{{Cite web|last=Brown|first=Christopher|title=Goodwin’s Bold Moves: Announcing Infinity War Part I and II at SDCC|url=https://www.filmuniverseexplore.com/infinity-war-announcement|publisher=Film Universe Explore|date=2023-09-05|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Johnson|first=Karen|title=MCU’s Expanding Universe: From Fantastic Four to Infinity War|url=https://www.globalcinematicnews.com/mcu-expansion-sdcc|publisher=Global Cinematic News|date=2023-09-06|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Miller|first=Sarah|title=SDCC 2023 Recap: Goodwin Unveils Major MCU Phase Plans|url=https://www.comicbookfilmnews.com/sdcc-2023-mcu-plans|publisher=Comic Book Film News|date=2023-09-07|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Lee|first=Robert|title=Analysis: Goodwin’s Strategy for MCU’s Future Starting with Fantastic Four|url=https://www.cinemastatus.com/goodwin-mcu-future-strategy|publisher=Cinema Status|date=2023-09-10|access-date=2028-01-20}}</ref><ref>{{Cite web|last=White|first=Emily|title=MCU Phase Updates: Infinity War Adaptation and New Spider-Man Project|url=https://www.filmfandomnews.com/mcu-phase-updates-sdcc|publisher=Film Fandom News|date=2023-09-11|access-date=2028-01-20}}</ref>
=== Phase One ===
{{Series overview|caption=Television series of Phase Four|released=y|infoA=Network|infoB=[[Showrunner]]|infoC=Status|width=99%|multiseries=y|dontclose=y}}
The films that were announced in 2023's SDCC were confirmed to be part of a greater plan Goodwin confirmed, and stated they had begun developing ''Fantastic Four'', before ''Deadpool'' and ''The Flash'', which they originally planned to be released during Phase Two.<ref>{{Cite web|last=Thompson|first=Erica|title=Goodwin's Plans Unveiled at SDCC 2023: Fantastic Four Development Precedes Deadpool and The Flash|url=https://www.superheromoviehub.com/fantastic-four-development-sdcc|publisher=Superhero Movie Hub|date=2023-08-01|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Jackson|first=Peter|title=Goodwin Discusses Early Release Prospects for Fantastic Four|url=https://www.filmratingsinsight.com/fantastic-four-early-release|publisher=Film Ratings Insight|date=2023-08-02|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Green|first=Tom|title=Goodwin’s Announcement: Excitement and Uncertainty for Fantastic Four's Early Release|url=https://www.filmfandomnews.com/fantastic-four-early-release-discussion|publisher=Film Fandom News|date=2023-08-25|access-date=2028-01-20}}</ref> He confirmed that the team were excited to release the film and were unsure if they should release the film as early as it is coming.<ref>{{Cite web|last=Kim|first=Jessica|title=SDCC 2023 Reveals: How Fantastic Four Fits Into Mob Productions' Larger Plan|url=https://www.entertainmentindustryanalysis.com/fantastic-four-sdcc-plan|publisher=Entertainment Industry Analysis|date=2023-08-10|access-date=2028-01-20}}</ref> Around the same time, Goodwin announced ''X-Men vs. The Avengers'', but later cancelled the film due to issues regarding the timeline and how the films would fit in the story.<ref>{{Cite web|last=Roberts|first=Jason|title=MCU's Phase Two Shake-Up: X-Men vs. The Avengers Cancelled Amid Timeline Concerns|url=https://www.cinemaevolution.com/x-men-avengers-cancelled|publisher=Cinema Evolution|date=2023-08-15|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Singh|first=Anita|title=The Strategic Cancellation of X-Men vs. The Avengers: Inside Goodwin’s Decision|url=https://www.newagecinema.com/x-men-avengers-strategic-cancellation|publisher=New Age Cinema|date=2023-08-20|access-date=2028-01-20}}</ref>
Development on a film based on the DC character the Flash began in the late 1980s when Warner Bros. Pictures hired comic book writer Jeph Loeb to write a screenplay.<ref>{{Cite web|last=Brown|first=Christopher|title=The Origins of The Flash Film: Early Development and Jeph Loeb’s Screenplay|url=https://www.superheromoviehub.com/the-flash-early-development|publisher=Superhero Movie Hub|date=1989-10-05|access-date=2028-01-20}}</ref> Warner Bros. hired David S. Goyer to write, direct, and produce a new version of ''The Flash'' in December 2004 after he impressed them with his script for ''Batman Begins'' (2005). Goyer approached Ryan Reynolds to portray Wally West / The Flash after working with him on the Marvel Comics-based film ''Blade: Trinity'' (2004) and intended to have the character Barry Allen appear in a supporting role.<ref>{{Cite web|last=Johnson|first=Karen|title=David S. Goyer’s Vision for The Flash and His Departure|url=https://www.hollywoodfilmforecast.com/goyer-flash-project|publisher=Hollywood Film Forecast|date=2007-02-10|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Foster|first=Michael|title=Ryan Reynolds' Early Casting Talks for The Flash|url=https://www.cinematicplanning.com/ryan-reynolds-flash-casting|publisher=Cinematic Planning|date=2004-12-15|access-date=2028-01-20}}</ref> Goyer was influenced for the film's tone by Sam Raimi's ''Spider-Man'' trilogy and the Flash comic book runs by Mike Baron, Mark Waid and Geoff Johns.<ref>{{Cite web|last=Harris|first=Jessica|title=Influences Behind The Flash Film: From Spider-Man to Comic Book Legends|url=https://www.filmfutureinsights.com/flash-film-influences|publisher=Film Future Insights|date=2005-01-20|access-date=2028-01-20}}</ref> By early February 2007, Goyer left the project over creative differences with the studio, and Shawn Levy was hired to direct and oversee the writing of a new draft written by Chris Brancato, which used elements from Goyer's script. Later that month, Warner Bros. announced the development of a Justice League film, with Michelle and Kieran Mulroney writing the screenplay.<ref>{{Cite web|last=Evans|first=Gregory|title=Shawn Levy Takes Over The Flash: A New Direction|url=https://www.superheromoviespectrum.com/shawn-levy-flash-direction|publisher=Superhero Movie Spectrum|date=2007-02-25|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Miller|first=Sarah|title=Justice League: Mortal and The Flash’s Role in the DC Universe|url=https://www.comicbookfilmnews.com/justice-league-mortal-flash-role|publisher=Comic Book Film News|date=2007-09-10|access-date=2028-01-20}}</ref> George Miller signed on to direct the film, titled ''Justice League: Mortal'', in September, with Adam Brody cast as the Flash.<ref>{{Cite web|last=Lee|first=Robert|title=Chris Brancato’s Revised Script for The Flash and Its Elements|url=https://www.filmmakerstrategy.com/brancato-flash-script|publisher=Filmmaker Strategy|date=2007-03-05|access-date=2028-01-20}}</ref><ref>{{Cite web|last=White|first=Emily|title=The Evolution of The Flash: From Goyer to Levy|url=https://www.cinematicuniversejournal.com/flash-evolution-goyer-levy|publisher=Cinematic Universe Journal|date=2007-04-10|access-date=2028-01-20}}</ref> It was envisioned as the start of a franchise with planned sequels and spin-offs, including the Flash film.<ref>{{Cite web|last=Green|first=Tom|title=Adam Brody as The Flash: Casting Decisions and Future Plans|url=https://www.filmfandomnews.com/adam-brody-flash-casting|publisher=Film Fandom News|date=2007-09-25|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Patel|first=Ajay|title=The Flash and Justice League: Building a Franchise Vision|url=https://www.superheroinsider.com/flash-justice-league-franchise|publisher=Superhero Insider|date=2007-09-30|access-date=2028-01-20}}</ref>
Levy left ''The Flash'' in October 2007 because of scheduling conflicts with ''Night at the Museum: Battle of the Smithsonian'' (2009).<ref>{{Cite web|last=Thompson|first=Erica|title=Shawn Levy's Departure from The Flash Due to Scheduling Conflicts|url=https://www.hollywoodfilmforecast.com/levy-departure-the-flash|publisher=Hollywood Film Forecast|date=2007-10-05|access-date=2028-01-20}}</ref> David Dobkin took over as director and began developing the film as a spin-off from ''Justice League: Mortal'', with a focus on Wally West. Craig Wright was writing a script for the film the next month, before ''Justice League: Mortal'' was canceled and Warner Bros. set a 2008 release for ''The Flash''. Further development was delayed by the 2007–2008 Writers Guild of America strike.<ref>{{Cite web|last=Roberts|first=Jason|title=David Dobkin Takes Over The Flash: A New Spin-Off Approach|url=https://www.cinemaevolution.com/dobkin-flash-direction|publisher=Cinema Evolution|date=2007-10-20|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Brown|first=Christopher|title=The Flash Development Hurdles: WGA Strike and Script Delays|url=https://www.superheromoviehub.com/the-flash-development-hurdles|publisher=Superhero Movie Hub|date=2008-02-15|access-date=2028-01-20}}</ref> Charles Roven joined the project as a producer by July 2009, with Geoff Johns consulting and writing a film treatment that Dan Mazeau adapted into a screenplay.<ref>{{Cite web|last=Lee|first=Robert|title=Charles Roven Joins The Flash Project: New Producer Insights|url=https://www.filmmakerstrategy.com/roven-joins-flash|publisher=Filmmaker Strategy|date=2009-07-10|access-date=2028-01-20}}</ref> In October, Roven said the studio was not confident enough in their take to green-light the film, though Mazeau disputed this and said the film was moving forward as planned. In June 2010, ''Green Lantern'' (2011) writers Greg Berlanti, Michael Green, and Marc Guggenheim were hired to write a new treatment for ''The Flash'' based on a recent comics run by Johns that featured Barry Allen. However, Mob Productions took matters into their own hands and made changes to the screenplay to fit into their own narrative for the MCU.<ref>{{Cite web|last=Foster|first=Michael|title=The Flash Screenplay Developments: Johns and Mazeau Collaboration|url=https://www.cinematicplanning.com/johns-mazeau-flash-collaboration|publisher=Cinematic Planning|date=2009-10-15|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Singh|first=Anita|title=Mob Productions Steps in: Rewriting The Flash for MCU Integration|url=https://www.newagecinema.com/mob-productions-the-flash-mcu|publisher=New Age Cinema|date=2010-06-25|access-date=2028-01-20}}</ref>
After the critical and commercial failure of the 2015 film ''[[Fantastic Four (2015 film)|Fantastic Four]]'', co-written and directed by [[Josh Trank]] and based on the [[Marvel Comics]] superhero team [[Fantastic Four|of the same name]], [[20th Century Fox]] began looking at new directions to take the franchise. Having also produced [[Fantastic Four in film#Tim Story films (2005–2007)|two earlier ''Fantastic Four'' films]] directed by [[Tim Story]] a decade prior, the studio did not want to just make another ''Fantastic Four'' film.<ref name="HawleyDoom" /> By June 2017, [[Seth Grahame-Smith]] was writing a new film that would shift focus to [[Franklin Richards (comics)|Franklin]] and [[Valeria Richards]], the children of original Fantastic Four leaders [[Mister Fantastic|Reed Richards]] and [[Invisible Woman|Sue Storm]]. Taking inspiration from the ''[[Ultimate Fantastic Four]]'' comic books, the screenplay included original Fantastic Four members the [[Thing (comics)|Thing]] and the [[Human Torch]], and was described as kid-centric with a tone closer to ''[[The Incredibles]]'' (2004) than Trank's darker film.<ref name="Grahame-Smith" /> The basis of the screenplay came from a separate script that Carter Blanchard had adapted from the children's book ''Kindergarten Heroes'' by [[Mark Millar]]. Millar previously consulted with Fox on their Marvel-based films.<ref name="KindergartenHeroes" /> In July, [[Noah Hawley]], who had created the [[Marvel Television]] series ''[[Legion (TV series)|Legion]]'', was hired to develop a separate film focused on [[Doctor Doom]], the Fantastic Four's primary antagonist.<ref name="HawleyDoom" /> [[The Walt Disney Company]] officially [[Acquisition of 21st Century Fox by Disney|acquired 21st Century Fox]] in March 2019 and gained the film rights for the Marvel Comics characters that Fox controlled, including the Fantastic Four, for its subsidiary [[Marvel Studios]].<ref name="DisneyFoxDealClose" /><ref name="FoxDisneyPressRelease" /> The Marvel-based films that Fox had been developing were placed "on hold".<ref name="FoxMarvelOnHold" />
New films were announced on February 18, 2024, those films being ''[[Captain America: The First Hero]]'' and ''[[Fantastic Four (2026 film)|Fantastic Four]]'' which will all be part of [[Mob Cinematic Universe: Phase Three|Phase Three]].<ref>{{Cite web|last=Johnson|first=Karen|title=New MCU Films Announced: Captain America and Fantastic Four to Join Phase Three|url=https://www.hollywoodfilmforecast.com/new-mcu-films-2024|publisher=Hollywood Film Forecast|date=2024-02-18|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Harris|first=Jessica|title=Phase Three Expands: New Films and Continued Commitment Despite Challenges|url=https://www.filmfutureinsights.com/phase-three-expansion|publisher=Film Future Insights|date=2024-06-11|access-date=2028-01-20}}</ref> Along with the film announcements, Goodwin pubically announced that the ''Doctor Doom'' film has been delayed indefinitely.<ref name=":1">{{Cite web|last=Turner|first=Rachel|title=The Indefinite Delay of the Doctor Doom Film: A Detailed Look|url=https://www.superherofilmwatch.com/doctor-doom-delay|publisher=Superhero Film Watch|date=2024-02-19|access-date=2028-01-20}}</ref><ref name=":3">{{Cite web|last=Miller|first=Sarah|title=Doctor Doom Film Delayed Indefinitely, Announces Goodwin|url=https://www.comicbookfilmnews.com/doctor-doom-delay-announcement|publisher=Comic Book Film News|date=2024-02-18|access-date=2028-01-20}}</ref> In June 2024, Goodwin announced that the company was losing lots of employees' though confirmed the films and other projects that are coming won't be delayed or recieve any changes in any way.<ref>{{Cite web|last=Brown|first=Christopher|title=Goodwin Confirms No Delays Despite Staff Reductions at Mob Productions|url=https://www.superheromoviehub.com/mob-productions-staff-reductions|publisher=Superhero Movie Hub|date=2024-06-10|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Foster|first=Michael|title=Stability in Mob Productions' Projects Amid Internal Changes|url=https://www.cinematicplanning.com/mob-productions-project-stability|publisher=Cinematic Planning|date=2024-06-15|access-date=2028-01-20}}</ref>
In June 2019, Goodwin, the visionary leader at Mob Productions, strategically outlined a robust expansion plan involving the development of six additional Phases following the conclusion of Phase Three.<ref>{{Cite web|last=Thompson|first=Erica|title=Goodwin Outlines Six New Phases for Mob Productions' Future|url=https://www.superheromoviehub.com/goodwin-expansion-plan-2019|publisher=Superhero Movie Hub|date=2019-06-05|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Roberts|first=Jason|title=The Future of Mob Productions: Goodwin's Visionary Expansion Plan|url=https://www.cinemaevolution.com/goodwin-six-phase-vision|publisher=Cinema Evolution|date=2019-06-06|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Lee|first=Robert|title=Strategic Roadmap Unveiled: Mob Productions to Develop Six Additional Phases|url=https://www.filmmakerstrategy.com/mob-productions-roadmap|publisher=Filmmaker Strategy|date=2019-06-10|access-date=2028-01-20}}</ref> This expansive roadmap showcased a detailed and structured vision, designed to further evolve and enrich their cinematic universe over the coming years.<ref>{{Cite web|last=Miller|first=Sarah|title=Mob Productions' Long-Term Vision: Six Phases Announced by Goodwin|url=https://www.comicbookfilmnews.com/mob-productions-long-term-vision|publisher=Comic Book Film News|date=2019-06-15|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Brown|first=Christopher|title=Enriching the Cinematic Universe: Goodwin's Plan for Mob Productions|url=https://www.superheromoviehub.com/goodwin-cinematic-universe-plan|publisher=Superhero Movie Hub|date=2019-06-20|access-date=2028-01-20}}</ref>
{{Series overview|series=''[[Crisis on Infinite Earths (miniseries)|Crisis on Infinite Earths]]''|infoA=y|infoB=y|infoC=y|color1=#ff621a|episodes1=5|released1={{Start date|2025|7|18}}|infoA1=Freddie Goodwin, Jackson Greene, Lucas Everett, [[Maya Thompson]]}}{{Series overview/end}}
On February 18, 2024, Mob Productions made a significant announcement indicating the initiation of Phase Four, set to commence in July 2025.<ref>{{Cite web|last=Johnson|first=Karen|title=Mob Productions Announces Phase Four Start in 2025|url=https://www.hollywoodfilmforecast.com/phase-four-announcement-2024|publisher=Hollywood Film Forecast|date=2024-02-18|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Miller|first=Sarah|title=Goodwin Unveils New Content Distribution Strategy for Mob Productions|url=https://www.comicbookfilmnews.com/new-content-strategy-mob-productions|publisher=Comic Book Film News|date=2024-02-19|access-date=2028-01-20}}</ref> The very next day, additional details were unveiled, introducing a significant change in their content distribution model. Unlike the previous approach of monthly releases, Goodwin revealed that the new schedule would alternate between television series and films. Specifically, he confirmed a pattern that would follow a sequence of film, series, film, series, thereby establishing a new rhythm for their storytelling across various media platforms.<ref>{{Cite web|last=Brown|first=Christopher|title=Phase Four's New Release Pattern: Alternating Films and Series|url=https://www.superheromoviehub.com/phase-four-release-pattern|publisher=Superhero Movie Hub|date=2024-02-19|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Harris|first=Jessica|title=Goodwin Reveals Alternating Film and Series Schedule for Mob Productions|url=https://www.filmfutureinsights.com/mob-productions-new-schedule|publisher=Film Future Insights|date=2024-02-19|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Foster|first=Michael|title=Innovating Storytelling: Mob Productions' Shift in Content Delivery|url=https://www.cinematicplanning.com/mob-productions-content-shift|publisher=Cinematic Planning|date=2024-02-19|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Lee|first=Robert|title=Phase Four: Mob Productions Sets New Trends in Media Distribution|url=https://www.filmmakerstrategy.com/phase-four-media-distribution|publisher=Filmmaker Strategy|date=2024-02-19|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Roberts|first=Jason|title=From Monthly to Sequential: Mob Productions' New Release Strategy|url=https://www.cinemaevolution.com/mob-productions-release-strategy|publisher=Cinema Evolution|date=2024-02-19|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Singh|first=Anita|title=The Evolution of Release Strategies at Mob Productions|url=https://www.newagecinema.com/mob-evolution-release-strategies|publisher=New Age Cinema|date=2024-02-19|access-date=2028-01-20}}</ref>
=== Phase Two ===
{{Series overview
|caption=Television series of Phase Five
|released=y
|infoA=Network
|infoB=[[Showrunner]]
|infoC=Status
|width=99%
|multiseries=y
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{{Series overview
| series = ''Black Panther''
| infoA = y
| infoB = y
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During a comprehensive presentation in April 2024, Goodwin revealed several ambitious projects slated for release on Disney+. The lineup began with a television series titled "Ajax," focusing on the backstory of the villain Francis Freeman/Ajax, a character best known from his antagonistic role in the Deadpool series. Goodwin detailed that the series would consist of four episodes, designed to bridge the narrative to "Deadpool II."<ref>{{Cite web|last=Miller|first=Sarah|title=Details on "Ajax" Series and Its Connection to "Deadpool II"|url=https://www.comicbookfilmnews.com/ajax-series-deadpool-ii-connection|publisher=Comic Book Film News|date=2024-04-05|access-date=2028-01-20}}</ref> He confirmed that "Ajax" was scheduled for a premiere on July 10, 2025, with episodes releasing on a weekly basis.<ref>{{Cite web|last=Johnson|first=Karen|title=Goodwin Unveils Disney+ Lineup with "Ajax" and "Impulsion"|url=https://www.hollywoodfilmforecast.com/goodwin-disney-plus-lineup-2024|publisher=Hollywood Film Forecast|date=2024-04-05|access-date=2028-01-20}}</ref> Following this, he announced "Impulsion," a 10-episode series aimed at setting the stage for the film "The Flash and the Multiverse of the Speed Force: The Birth of Inertia."<ref>{{Cite web|last=Brown|first=Christopher|title="Impulsion" Series to Prep for "The Flash and the Multiverse" Film|url=https://www.superheromoviehub.com/impulsion-series-announcement|publisher=Superhero Movie Hub|date=2024-04-06|access-date=2028-01-20}}</ref> This series was planned for a November 2025 release, with two episodes being released each week. Additionally, Goodwin teased the release of another series titled "Moonknight,"<ref>{{Cite web|last=Harris|first=Jessica|title="Moonknight" and More: Goodwin Teases Future Disney+ Series|url=https://www.filmfutureinsights.com/goodwin-teases-moonknight|publisher=Film Future Insights|date=2024-04-06|access-date=2028-01-20}}</ref> set for 2026, and hinted at a fourth series, details of which would be revealed early in 2025. He also highlighted an upcoming X-Men film, which would be released in two parts during Phase Four.<ref>{{Cite web|last=Foster|first=Michael|title=Goodwin Highlights Upcoming X-Men Film in Two Parts|url=https://www.cinematicplanning.com/x-men-film-announcement|publisher=Cinematic Planning|date=2024-04-06|access-date=2028-01-20}}</ref> Regarding the "Infinity War" films, he noted their role in concluding one narrative arc while simultaneously setting up the events of Phase Five.<ref>{{Cite web|last=Lee|first=Robert|title="Infinity War" Films to Bridge Phases Four and Five, Reveals Goodwin|url=https://www.filmmakerstrategy.com/infinity-war-bridge-phases|publisher=Filmmaker Strategy|date=2024-04-07|access-date=2028-01-20}}</ref>
| color1 = #141141
| episodes1 = 6
| start1 = {{Start date|2026|4|22}}
| end1 = {{End date|2026|6|3}}
| infoA1 = James Ponsoldt
|network1 = [[Disney+]]
|network1span = 2
| infoC1 = Post-production
| infoC1span = 2
}}
Goodwin delved deeper into the transformative changes in the narrative approach that Mob Productions was set to adopt with the forthcoming "Multiversal Saga." Diverging from previous sagas, which typically followed a single, continuous storyline, the "Multiversal Saga" was designed to comprise multiple, distinct narratives across each phase. Goodwin emphasized that while these narratives would vary, each would unmistakably belong to the broader MCU fabric, marked by its unique thematic and character linkages. This innovative structure was intended to enhance the narrative richness and allow for a more varied exploration of the universe's dimensions and characters.
{{Series overview
| series = ''[[Spider-Man: Lord of Times]]''
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Furthermore, Goodwin openly expressed his dissatisfaction with the preceding "Chaos Saga." He critiqued it for its lack of originality and the excitement that fans had come to expect from Mob Productions' ventures. Goodwin pointed out that the "Chaos Saga" had failed to captivate audiences in the way that other competing franchises had achieved. He noted a significant shortfall in narrative depth and audience engagement, which he attributed to its predictable plotlines and underdeveloped character arcs. This reflection was part of a broader critique of the saga’s failure to innovate within the established framework of serialized cinematic storytelling, a domain where other companies had made notable advancements and received commendation.
| color1 = #281C3A
| episodes1 = 8
| released1 = {{Start date|2026|7|6}}
| infoA1 = [[Amy Pascal]], [[Kathleen Kennedy]]
}}
In light of these reflections, Goodwin was motivated to steer the new saga towards uncharted narrative territories, aiming to infuse the upcoming phases with a fresh dynamism and complexity. This approach was expected not only to renew audience interest but also to set a higher standard of creativity and innovation within the genre, ensuring that each phase of the "Multiversal Saga" would offer a unique and engaging cinematic experience. This strategic pivot was seen as essential for maintaining the relevance and vibrancy of the MCU as it expanded further into its universe with new characters and storylines.
Reflecting on the planning stages, Goodwin recalled that as early as 2019, the idea of interspersing television series into the release schedule had been considered. This was part of a strategic approach to content dissemination that predated most of their current plans. He addressed potential concerns regarding the volume of content, asserting that Mob Productions would only delay projects if absolutely necessary. During discussions about the future of the "Untitled Iron Man Sequel," he revealed that it was under consideration for either delay or cancellation due to these strategic evaluations.
{{Series overview/end}}
Regarding the structure of Phase Four, Goodwin noted that all upcoming series would be capped at six episodes, with the exception of "Moonknight," which would feature 10 episodes. He clarified that future Phases would not include more than three television series unless the duration of a Phase extended beyond two years.
=== Series approach ===
By June 2024, Goodwin had meticulously planned the narratives through to 2031, detailing the story arcs up to the end of Phase Nine. He outlined the closure of Phase Three in 2025 and noted that Phase Six would be notably longer than previous phases, beginning shortly after the conclusion of Phase Five. The "Multiversal Saga," officially named in September 2024, was designed to explore the multiverse within the MCU extensively.
==== Initial approach to television ====
Goodwin, the creative lead behind the MCU, has overseen a distinctive approach to integrating television series into the franchise. Beginning in 2021, Mob Productions embraced streaming as a platform for expanding its universe beyond film, with series developed for platforms like Disney+. Goodwin explained that streaming allowed for flexibility in both format and narrative structure. Some series were designed as self-contained miniseries meant to directly set up future films, while others were envisioned as multi-season arcs that ran in parallel with the films, often with long gaps between seasons—drawing comparisons to shows like ''Game of Thrones'' and ''Stranger Things''. Goodwin emphasized that each season or miniseries was treated as a cinematic event, generally aiming for around six hours of total content. This structure varied by project—some used six hour-long episodes, while others opted for nine shorter episodes. Budgets typically ranged from $100 million to $150 million, with flagship series exceeding $200 million. The high production costs were largely due to cast salaries and heavy reliance on visual effects. Mob’s early slate of series—such as ''Impulse'' and ''Ajax''—followed a film-like structure, giving characters one defined arc across a tightly serialized story. Later shows, like ''Young Justice'' and ''Crisis on Infinite Earths'', began experimenting with more episodic storytelling and larger ensemble casts.
In 2026, Goodwin declared an intentional slowdown in film production, reducing the annual release from three to two films, with this change to be implemented post-Phase Five. He explained that Phase Six would be the longest, partly due to this reduced rate of film releases, allowing for a more expanded and explorative approach to storytelling within the franchise.
Mob Productions initially avoided the traditional "showrunner" model, instead using the term "head writer" and encouraging close collaboration between writers and directors. Directors were often involved from early development and participated in writers’ room discussions, mirroring the creative pipeline used on the MCU films. Junior executives, many of whom had worked on earlier films in production roles, served as liaisons between writers, directors, and Goodwin himself. Final creative authority for each series rested with Goodwin, who remained actively involved in key decisions across the slate. This collaborative but hierarchical approach was described as efficient by series directors and writers. Shows such as ''Impulse'', directed entirely by Goodwin, benefited from a unified vision. Others, like ''[[Crisis on Infinite Earths (miniseries)|Crisis on Infinite Earths]]'', employed multiple directors with split duties across episodes, driven by scheduling demands and varying story needs. In most cases, the head writer had final script approval before filming began, after which the director assumed greater creative control during production and post. Head writers typically remained involved through post-production to oversee rewrites and continuity adjustments.
== Phases ==
==== Overhaul of television operations ====
Mob Productions releases its films in groups called "Phases".
Between 2024 and 2025, the cinematic universe under Goodwin’s leadership underwent a significant transformation in its television strategy. Following a wave of overproduction, inconsistent storytelling, and ballooning costs, Goodwin began to overhaul how television content was developed and delivered. The early approach—where every series was treated as a six-hour cinematic event designed to tie directly into theatrical films—was no longer sustainable. Creative burnout, tonal disarray, and a lack of long-term planning began surfacing across multiple in-development shows. At the height of the problem, projects such as ''Impulse'' (Season 2), ''What If...'', ''Exotic Adventures'', ''Black Panther'', ''Doctor Strange'', ''The Adventures of the Speed Force'', ''Spider-Man: Lord of Times'', and ''Warmachine'' were all either in limbo or suffering from narrative and logistical misalignment. With multiple timelines colliding, characters overlapping without purpose, and budgets spiraling out of control, the weight of the interconnected universe began to collapse inward.
By March 2012, [[SOI Studios]] intended to produce films to be released in his cinematic universe idea inspired greatly by the Marvel Cinematic Universe. SOI Studios president [[Freddie Goodwin]] began to plan a full slate of films to include a "chapter" of his overall story idea, which he had planned to be in a film. However, he decided the story would be told better through a dozen films through different phases.
Goodwin, known for his cinematic ambition, was the first to admit that the strategy was flawed. In a candid internal memo, he described the first wave of series as “an ecosystem where everything fed everything—except the audience.” He noted that viewers were struggling to keep up, creators were restricted by mandatory tie-ins, and stories were being stretched to fit formats they were never meant for. The failure of ''Exotic Adventures'', which reportedly burned through over $120 million before being shut down in post-production, became a symbol of excess. Similarly, ''Warmachine'' was shelved after creative teams failed to unify its political thriller premise with the universe’s increasingly multiversal tone. In response, Goodwin initiated a complete pivot: moving away from cinematic-style miniseries toward traditional, showrunner-led television. Each series would now begin with a pilot script and a full series bible, and no production would be greenlit unless the story stood on its own merits—regardless of franchise connections.
=== 2029 onwards ===
At the same time, pressure from Disney intensified. Amid broader cost-cutting across its streaming division, Disney slashed television budgets and demanded a shift toward sustainability. Several projects were halted entirely, while others—like ''Doctor Strange'' and ''Black Panther''—were repurposed with smaller scopes and a clearer narrative focus. Goodwin emphasized that spectacle was no longer the goal; story was. In a 2025 interview, he stated, “We were trying to build universes when we hadn’t finished building television. That’s on me.” The shift toward a more traditional model was also inspired by the quiet success of ''Impulse'' Season 2, which was developed with a single showrunner, leaner structure, and minimal crossover requirements. Unlike earlier series, it finished on time, under budget, and with strong internal feedback—something few other projects could claim.
Goodwin further addressed significant changes in the narrative approach of the franchise, introducing the "Multiversal Saga." This new saga would not adhere to a single storyline but instead, each phase would encapsulate distinct narratives, all identifiable as part of the MCU. He expressed his disappointment with the previous "Chaos Saga," criticizing its perceived lack of originality and excitement, noting that it fell short of the narrative depth and engagement achieved by similar formats in other productions by other companies.
== Films ==
By early 2025, Goodwin had implemented new rules: no more “backdoor film setups,” no more six-hour movie formats disguised as television, and no more greenlights based solely on franchise potential. Series like ''What If...'' were redesigned as anthology experiments, free from continuity obligations. ''The Adventures of the Speed Force'' was rebuilt into a character-focused episodic format, while ''Spider-Man: Lord of Times'' was delayed and scaled back to allow room for a restructured arc. From this point forward, each series would live or die by its pilot. If it wasn’t strong enough to stand alone, it wouldn’t be made. Goodwin also announced a hard cap on output: no more than three live-action series would be produced per year, ensuring tighter quality control and more deliberate scheduling.
=== The Chaos Saga ===
By May 2025, only a select few projects remained active. ''Impulse'' continued forward with a clear path. ''Doctor Strange'' was reimagined as a serialized mystical procedural. ''What If...'' gained a new creative team. Others were either placed on indefinite hold or absorbed back into the film division for potential reworking. Goodwin delegated day-to-day oversight of television to newly promoted executive Maya Thompson, who was tasked with establishing a “seasonal cadence” that audiences could rely on—replacing the unpredictability and content fatigue that had plagued the early years. With this shift, Goodwin returned his focus entirely to the feature film slate, now confident that the television side had a structure capable of sustaining itself without collapsing under the weight of cinematic expectations.
The films from Phase One, Phase Two, and Phase Three are collectively known as "The Chaos Saga".<ref>{{Cite web|title=Overview of The Chaos Saga: Phases One, Two, and Three|url=https://www.creator-database.com/chaos-saga-overview|publisher=Creator Database|access-date=2028-01-20}}</ref><ref>{{Cite web|title=The Chaos Saga: A Detailed Look at Phases One to Three|url=https://www.universalcinemareview.com/chaos-saga-phases|publisher=Universal Cinema Review|date=2023-05-15|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Exploring The Chaos Saga: Mob Productions' Phases One, Two, and Three|url=https://www.filmuniverseexplorer.com/chaos-saga-exploration|publisher=Film Universe Explorer|date=2023-06-10|access-date=2028-01-20}}</ref>
|Freddie Goodwin<ref name=":4">{{Cite web|title=Deadpool Film Information|url=https://www.creator-database.com/deadpool|publisher=Creator Database|access-date=2028-01-20}}</ref>
|Freddie Goodwin, Benjamin Knowles, Sara Case, Patrick Reid<ref name=":4" />
|Freddie Goodwin & Ryan Reynolds
| rowspan="5" |Released
|-
! scope="row" |''The Flash''
|July 28, 2014
|Jackson Miller <ref name=":5">{{Cite web|title=The Flash Film Information|url=https://www.creator-database.com/the-flash|publisher=Creator Database|access-date=2028-01-20}}</ref>
|Sara Case & Patrick Reid<ref name=":5" />
| rowspan="4" |Freddie Goodwin
|-
! scope="row" |''Bart and X.S''
|November 28, 2014
|colspan="2"|Patrick Reid<ref>{{Cite web|title=Bart and X.S Film Information|url=https://www.creator-database.com/bart-and-xs|publisher=Creator Database|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Iron Man''
|April 22, 2015
| colspan="2" |Jackson Miller <ref>{{Cite web|title=Iron Man Film Information|url=https://www.creator-database.com/iron-man|publisher=Creator Database|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Z Justice''
|June 10, 2015
| colspan="2" |Freddie Goodwin<ref>{{Cite web|title=Z Justice Film Information|url=https://www.creator-database.com/z-justice|publisher=Creator Database|access-date=2028-01-20}}</ref>
! scope="row" |''The Flash and the Multiverse of the Speed Force''
|October 28, 2015
|Freddie Goodwin<ref name=":6">{{Cite web|title=The Flash and the Multiverse of the Speed Force Film Information|url=https://www.creator-database.com/the-flash-multiverse|publisher=Creator Database|access-date=2028-01-20}}</ref>
|Freddie Goodwin, Benjamin Knowles, Sara Case, Patrick Reid<ref name=":6" />
| rowspan="4" |Freddie Goodwin
| rowspan="4" |Released
|-
! scope="row" |''Superman: Legacy of Hope''
|February 22, 2016
|Orion Kestrel<ref name=":7">{{Cite web|title=Superman: Legacy of Hope Film Information|url=https://www.creator-database.com/superman-legacy-of-hope|publisher=Creator Database|access-date=2028-01-20}}</ref>
|Sara Case<ref name=":7" />
|-
! scope="row" |''Thor''
|June 16, 2016
|Jasper Nightingale<ref name=":8">{{Cite web|title=Thor Film Information|url=https://www.creator-database.com/thor|publisher=Creator Database|access-date=2028-01-20}}</ref>
|Patrick Reid<ref name=":8" />
|-
! scope="row" |''Harbingers''
|October 19, 2016
| colspan="2" |Freddie Goodwin<ref>{{Cite web|title=Harbingers Film Information|url=https://www.creator-database.com/harbingers|publisher=Creator Database|access-date=2028-01-20}}</ref>
|Freddie Goodwin<ref name=":9">{{Cite web|title=Blade Film Information|url=https://www.creator-database.com/blade|publisher=Creator Database|access-date=2028-01-20}}</ref>
|Oliver Greenwood<ref name=":9" />
| rowspan="5" |Freddie Goodwin
| rowspan="5" |Released
|-
! scope="row" |''Harbingers: Dimension X''
|August 24, 2017
| colspan="2" |Freddie Goodwin<ref>{{Cite web|title=Harbingers: Dimension X Film Information|url=https://www.creator-database.com/harbingers-dimension-x|publisher=Creator Database|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Captain America: The First Hero''
|December 5, 2017
| colspan="2" |Ethan Morland<ref>{{Cite web|title=Captain America: The First Hero Film Information|url=https://www.creator-database.com/captain-america-first-hero|publisher=Creator Database|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Fantastic Four''
|April 24, 2018
|Cassius Darkwater<ref name=":10">{{Cite web|title=Fantastic Four Film Information|url=https://www.creator-database.com/fantastic-four|publisher=Creator Database|access-date=2028-01-20}}</ref>
|Zoe Lancaster<ref name=":10" />
|-
! scope="row" |''Harbingers: Endgame''
|June 20, 2018
| colspan="2" |Freddie Goodwin<ref>{{Cite web|title=Harbingers: Endgame Film Information|url=https://www.creator-database.com/harbingers-endgame|publisher=Creator Database|access-date=2028-01-20}}</ref>
|}
=== The Multiversal Saga ===
The reset marked the end of an era defined by ambition and overreach, and the beginning of one grounded in clarity, sustainability, and creative discipline. For Goodwin, it was less about shrinking the universe and more about saving it—one focused season at a time.
The films from Phase Four, Phase Five, and Phase Six are collectively known as "The Multiversal Saga".<ref>{{Cite web|title=Overview of The Multiversal Saga: Phases Four, Five, and Six|url=https://www.creator-database.com/multiversal-saga-overview|publisher=Creator Database|access-date=2028-01-20}}</ref><ref>{{Cite web|title=The Multiversal Saga: A Detailed Look at Phases Four to Six|url=https://www.universalcinemareview.com/multiversal-saga-phases|publisher=Universal Cinema Review|date=2024-07-10|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Exploring The Multiversal Saga: Mob Productions' Phases Four, Five, and Six|url=https://www.filmuniverseexplorer.com/multiversal-saga-exploration|publisher=Film Universe Explorer|date=2024-08-05|access-date=2028-01-20}}</ref>
! scope="row" |''Avengers: Secret Wars, Part One''
| TBA
| TBA
|TBA
| rowspan="2" |Freddie Goodwin & Ryan Reynolds
|-
! scope="row" |''Avengers: Secret Wars, Part Two''
| TBA
| TBA
|TBA
|}
=== Future ===
=== Abandoned or paused projects ===
At any given time, Mob Productions has future films planned five to six years out from what they have announced. By April 2014, additional storylines were planned through 2042, with MCU films through 2052 being planned by April 2022.
In February 2025, Freddie Goodwin initiated a decisive restructuring of his cinematic universe’s television slate, marking the largest wave of cancellations and creative pauses since the franchise expanded into streaming. The move followed ongoing cost-cutting directives from Disney and came in response to concerns about quality control, audience retention, and development overload. With too many shows competing for attention and internal resources, Goodwin made the call to eliminate or delay several projects that no longer aligned with the refined long-term vision. Among the casualties was ''Warmachine'', a politically-charged thriller centered on James Rhodes that had struggled to find tonal balance after multiple rewrites. Originally intended to explore the aftermath of global arms trafficking in a post-''Ascendants'' world, the project ballooned in scope and budget, eventually stalling out in early pre-production. With no strong creative direction and increasingly unclear relevance to the wider narrative arc, the series was officially canceled.
''Exotic Adventures'', an interdimensional road-trip comedy that was being developed as a genre experiment, was also shelved indefinitely. While initial concepts were received enthusiastically for their originality, the series was deemed tonally inconsistent with the current direction of the universe. Its detachment from key characters and core events made it an easy candidate for removal. ''What If...'', initially planned as an anthology extension of alternate universe events, was also canceled. While its animated format allowed for narrative freedom, it suffered from falling viewership and increasing production delays. With the multiversal thread already being covered in other live-action projects, Goodwin confirmed that the series would not return for additional seasons.
{{MCU cast indicator|C|G|P|V|type=MS TV|tense=past|appeared=multiple films and/or television series within Phase Four of the Marvel Cinematic Universe, and have appeared in the billing block for at least one film or have been a member of the starring cast for at least one series|media=film, series, or special}}
Two other projects were placed on indefinite hold rather than outright canceled. ''Impulse'' (Season 2), though well-received during its first run, was considered redundant given its thematic overlap with other upcoming content. Insiders noted that while Goodwin respected its potential, the time wasn’t right for continuation. ''The Adventures of the Speed Force'', which had encountered ongoing script and tone problems, was similarly paused to prevent further resource strain. Neither project was ruled out for revival, but neither remains in active development.
=== Theatrical disttribution ===
In contrast, ''Black Panther'' and ''Spider-Man: Lord of Times'' were explicitly spared from the cuts. Goodwin identified both as structurally and narratively vital to the post-''Ascendants'' era. ''Black Panther'' was undergoing a structural revamp with new writers brought in to tighten continuity and scale, while ''Lord of Times'' remained in full development due to its multiversal implications and its role in setting up Phase Three's central arc. The cancellations marked a sobering but necessary correction to the franchise’s rapid expansion into television. Goodwin stated plainly in a press statement: “We greenlit too much, too fast. The lesson now is focus. We’re building stories to last—not to just exist.” The reshaped slate now favors fewer shows, with more oversight, clearer narrative function, and an emphasis on creative sustainability.
==== The Chaos Saga ====
== Recurring cast and characters ==
The first saga is "The Chaos Saga" and features a grand total of 14 films.<ref>{{Cite web|title=Overview of The Chaos Saga: Complete Film List|url=https://www.creator-database.com/chaos-saga-overview|publisher=Creator Database|access-date=2028-01-20}}</ref> The first film and first installment of [[Mob Cinematic Universe: Phase One|Phase One]], ''[[Deadpool (2024 film)|Deadpool]]'' was released on February 8, 2024 to all states at the same time.<ref>{{Cite web|title=Deadpool: Launch of The Chaos Saga|url=https://www.hollywoodfilmforecast.com/deadpool-launch-2024|publisher=Hollywood Film Forecast|date=2024-02-08|access-date=2028-01-20}}</ref> The second film and second installment of Phase One, ''[[The Flash (2024 film)|The Flash]]'', was released on July 28, 2024.<ref>{{Cite web|title=The Flash Release Details: Second Installment of The Chaos Saga|url=https://www.comicbookfilmnews.com/the-flash-release-2024|publisher=Comic Book Film News|date=2024-07-28|access-date=2028-01-20}}</ref> The third film and third installment of Phase One, ''[[Bart and X.S (film)|Bart and X.S]]'', was released on November 28, 2024.<ref>{{Cite web|title=Bart and X.S Premiere Information|url=https://www.superheromoviehub.com/bart-and-xs-premiere-2024|publisher=Superhero Movie Hub|date=2024-11-28|access-date=2028-01-20}}</ref> The fourth film and fourth installment of Phase One, ''[[Iron Man (2024 film)|Iron Man]]'', was released on April 22, 2025.<ref>{{Cite web|title=Iron Man as Fourth Installment of The Chaos Saga|url=https://www.filmfutureinsights.com/iron-man-2025-release|publisher=Film Future Insights|date=2025-04-22|access-date=2028-01-20}}</ref> The fifth film and fifth and final installment of Phase One, ''[[Justice Z (film)|Justice Z]]'', was released on June 10, 2025.<ref>{{Cite web|title=Justice Z: Final Installment of Phase One|url=https://www.cinematicupdates.com/justice-z-june-2025|publisher=Cinematic Updates|date=2025-06-10|access-date=2028-01-20}}</ref><ref>{{Cite web|title=The Chaos Saga Phase One Recap and Analysis|url=https://www.universalcinemareview.com/chaos-saga-phase-one|publisher=Universal Cinema Review|date=2025-06-15|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Timeline of The Chaos Saga's Phase One Films|url=https://www.filmuniverseexplorer.com/chaos-saga-phase-one-timeline|publisher=Film Universe Explorer|date=2025-07-01|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Comprehensive Review of Deadpool as the Starting Point of The Chaos Saga|url=https://www.comicbookcinemanews.com/deadpool-review-2024|publisher=Comic Book Cinema News|date=2024-02-09|access-date=2028-01-20}}</ref><ref>{{Cite web|title=The Flash's Role in Shaping The Chaos Saga|url=https://www.superheroinsider.com/flash-chaos-saga-impact|publisher=Superhero Insider|date=2024-07-29|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Analysis of Bart and X.S within The Chaos Saga|url=https://www.newagecinema.com/bart-and-xs-chaos-saga|publisher=New Age Cinema|date=2024-11-29|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Insights into Iron Man's Influence on The Chaos Saga|url=https://www.movieinsiderreports.com/iron-man-chaos-saga-2025|publisher=Movie Insider Reports|date=2025-04-23|access-date=2028-01-20}}</ref>
{{Main|Mob Cinematic Universe Recurring cast and characters}}
The sixth film and first installment of [[Mob Cinematic Universe: Phase Two|Phase Two]], ''[[The Flash and the Multiverse of the Speed Force]]'', was released on October 28, 2025,<ref>{{Cite web|title=Release Details for The Flash and the Multiverse of the Speed Force|url=https://www.creator-database.com/flash-multiverse-speed-force-release|publisher=Creator Database|date=2025-10-28|access-date=2028-01-20}}</ref> the seventh film and second installment of Phase Two, ''[[Superman: Legacy of Hope]]'', was released on February 22, 2026.<ref>{{Cite web|title=Superman: Legacy of Hope Premiere Information|url=https://www.hollywoodfilmforecast.com/superman-legacy-hope-release-2026|publisher=Hollywood Film Forecast|date=2026-02-22|access-date=2028-01-20}}</ref> The eighth film and third installment of Phase Two, ''[[Thor (2024 film)|Thor]]'', was released on June 16, 2026.<ref>{{Cite web|title=Thor's Release as Part of Phase Two|url=https://www.comicbookfilmnews.com/thor-release-2026|publisher=Comic Book Film News|date=2026-06-16|access-date=2028-01-20}}</ref> The ninth film and fourth and final installment of Phase Two, ''[[Harbingers (2024 film)|Harbingers]]'', was released on October 19, 2026.<ref>{{Cite web|title=Harbingers Caps Off Phase Two of the MCU|url=https://www.superheromoviehub.com/harbingers-phase-two-finale|publisher=Superhero Movie Hub|date=2026-10-19|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Overview of Phase Two's Film Lineup and Releases|url=https://www.filmfutureinsights.com/phase-two-lineup|publisher=Film Future Insights|date=2026-10-20|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Analysis of The Flash and the Multiverse of the Speed Force's Impact|url=https://www.cinematicupdates.com/flash-multiverse-impact|publisher=Cinematic Updates|date=2025-10-29|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Detailed Review of Superman: Legacy of Hope|url=https://www.universalcinemareview.com/superman-legacy-of-hope-review|publisher=Universal Cinema Review|date=2026-02-23|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Phase Two Film Developments and Releases|url=https://www.filmuniverseexplorer.com/phase-two-developments|publisher=Film Universe Explorer|date=2026-10-25|access-date=2028-01-20}}</ref>
The Mob Cinematic Universe (MCU) features a large ensemble of recurring characters portrayed by an expansive roster of actors, many of whom appear across multiple films and series. [[Ryan Reynolds]] stars as Wade Wilson / Deadpool, a mercenary with accelerated healing and a penchant for breaking the fourth wall. Initially introduced as a solo character, Deadpool later became central to the overarching multiversal storyline. Reynolds also portrays multiple variants of the character, including an unscarred, long-haired version and the canine-inspired Dogpool.
The tenth film and first installment of [[Mob Cinematic Universe: Phase Three|Phase Three]], ''Blade'', was released on May 12, 2027,<ref>{{Cite web|title=Blade: Kickoff to Phase Three Details|url=https://www.creator-database.com/blade-phase-three-kickoff|publisher=Creator Database|date=2027-05-12|access-date=2028-01-20}}</ref> the eleventh film and second installment of Phase Three, ''Harbingers: Dimension X'', was released on August 24, 2027,<ref>{{Cite web|title=Harbingers: Dimension X Release Information|url=https://www.hollywoodfilmforecast.com/harbingers-dimension-x-2027-release|publisher=Hollywood Film Forecast|date=2027-08-24|access-date=2028-01-20}}</ref> the twelth film and third installment of Phase Three, ''Captain America: The First Hero'', was released on December 5, 2027,<ref>{{Cite web|title=Captain America: The First Hero Premieres|url=https://www.comicbookfilmnews.com/captain-america-first-hero-release|publisher=Comic Book Film News|date=2027-12-05|access-date=2028-01-20}}</ref> the thirteenth film and fourth installment of Phase Three, ''Fantastic Four'', was released on April 24, 2028.<ref>{{Cite web|title=Fantastic Four Phase Three Release Details|url=https://www.superheromoviehub.com/fantastic-four-phase-three|publisher=Superhero Movie Hub|date=2028-04-24|access-date=2028-01-20}}</ref> The fourteenth film and final installment of Phase Three and "The Chaos Saga", ''Harbingers: Endgame'', was released on June 20, 2028.<ref>{{Cite web|title=Harbingers: Endgame Concludes The Chaos Saga|url=https://www.filmfutureinsights.com/harbingers-endgame-finale|publisher=Film Future Insights|date=2028-06-20|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Overview and Timeline of Phase Three Releases|url=https://www.cinematicupdates.com/phase-three-overview|publisher=Cinematic Updates|date=2028-06-21|access-date=2028-01-20}}</ref>
[[Hugh Jackman]] reprises his role as James "Logan" Howlett / Wolverine, depicting various versions of the character—including Old Man Logan, Patch, and a 1990s-inspired variant—as part of the multiverse narrative. Other mutants returning from the Fox-era include [[Aaron Stanford]] as Pyro, [[Tyler Mane]] as Sabretooth, and [[Jennifer Garner]] as Elektra. Characters such as Vanessa ([[Morena Baccarin]]), Blind Al ([[Leslie Uggams]]), Dopinder ([[Karan Soni]]), and Colossus (voiced by [[Stefan Kapičić]]) also reappear in multiple entries, maintaining continuity with earlier Deadpool installments.
==== The Multiversal Saga ====
Several major Marvel characters are introduced or reimagined within the MCU. [[Pedro Pascal]] portrays Reed Richards / Mister Fantastic, alongside [[Vanessa Kirby]] as Sue Storm, [[Joseph Quinn]] as Johnny Storm, and [[Ebon Moss-Bachrach]] as Ben Grimm / The Thing—forming the Fantastic Four. [[Julia Garner]] appears as Shalla-Bal / Silver Surfer, while [[Ralph Ineson]] plays the cosmic entity Galactus. The villainous arc is anchored by [[Mads Mikkelsen]] as Victor Von Doom / Doctor Doom, with additional antagonists including [[Alicia Vikander]] as Lucia Von Bardas, [[Christoph Waltz]] as Mister Sinister, and [[Barry Keoghan]] as Arcade.
The second saga is "The Multiversal Saga" and will feature more than 20 projects alongside [[List of Mob Cinematic Universe television series|six television series seasons]].<ref>{{Cite web|title=Introduction to The Multiversal Saga: Overview of Projects and TV Seasons|url=https://www.creator-database.com/multiversal-saga-introduction|publisher=Creator Database|access-date=2028-01-20}}</ref><ref>{{Cite web|title=The Multiversal Saga: Expanding the Universe with Over 20 Projects|url=https://www.hollywoodfilmforecast.com/multiversal-saga-projects|publisher=Hollywood Film Forecast|date=2028-07-05|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Details on The Multiversal Saga's Film and TV Slate|url=https://www.comicbookfilmnews.com/multiversal-saga-slate|publisher=Comic Book Film News|date=2028-07-10|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Exploring the Scope of The Multiversal Saga|url=https://www.superheromoviehub.com/scope-multiversal-saga|publisher=Superhero Movie Hub|date=2028-07-15|access-date=2028-01-20}}</ref>
The fifteenth film and first installment of [[Mob Cinematic Universe: Phase Four|Phase Four]], ''[[Deadpool II]]'', was released on September 23, 2029. The sixteenth film and second installment of Phase Four is ''[[The Flash and the Multiverse of the Speed Force: The Birth of Inertia]]'', scheduled to be released on February 18, 2030. The seventeenth film and third installment of Phase Four is ''[[Infinity War Part I]]'', scheduled to be released on April 10, 2030. The eighteenth film and fourth installment of Phase Four is ''[[The Dangerous X-Men – Part One]]'', scheduled to be released on August 20, 2030. The ninteenth film and fifth installment of Phase Four is ''The Dangerous X-Men – Part Two'', scheduled to be released on September 22, 2031. The twentieth film and eighth and final installment of Phase Four is ''Infinity War Part II'', scheduled to be released on April 18, 2032.
The mutant storyline expands with [[Taron Egerton]] portraying a new variant of Wolverine, joined by [[Anya Taylor-Joy]] as Mystique, [[Paul Mescal]] as Sabretooth, [[Sadie Sink]] as X-23, and [[Jeremy Allen White]] as Gambit. Supporting characters include [[Sophie Thatcher]] as Rogue, [[Clancy Brown]] as Colonel Stryker, and [[Jeffrey Wright]] as Professor Charles Xavier.
=== Disney+ releases ===
The Ascendants arc within the MCU introduces an original team of heroes and antagonists. [[Chris Hemsworth]] stars as Kael Thorne / Stormborne, a lightning-wielding tactician burdened by leadership. [[Vanessa Kirby]] appears as Elira Voss / Mirage, a stealth operative who manipulates light. [[Letitia Wright]] plays Nyari Sol, a technopath capable of communicating with machines. [[Paul Rudd]] portrays Milo Creel / Skipjack, a rogue time-runner with humor masking trauma. [[Sebastian Stan]] returns as Dax Riven / Hollow, a bio-engineered soldier stripped of emotion, now seeking redemption.
==== The Chaos Saga ====
[[Florence Pugh]] joins the cast as Syla Ryn / Widowthorn, a lethal assassin trained by a hidden order who uses venom-coated blades and psychological manipulation. [[Simu Liu]] plays Korran Sha / Skyburn, a volatile exiled prince wielding kinetic heat energy. [[Danny Ramirez]] portrays Jet Calder, an anti-gravity aerial specialist and reconnaissance expert. [[Pedro Pascal]] also appears as Solon Rhade / Architect, a master strategist with the power to construct physical structures from thought. [[Robert Downey Jr.]] plays Virex, the film’s central antagonist—an ancient being who seeks to collapse all timelines into a singular, logical order.
All films from Phase One became available on Disney+ 6 weeks after they finish their theatrical run.<ref>{{Cite web|title=Disney+ Release Schedule for Phase One MCU Films|url=https://www.creator-database.com/phase-one-disney-plus-release|publisher=Creator Database|access-date=2028-01-20}}</ref> ''Deadpool'' became available on March 21, 2024.<ref>{{Cite web|title=Deadpool Streaming Release on Disney+|url=https://www.hollywoodfilmforecast.com/deadpool-disney-plus-2024|publisher=Hollywood Film Forecast|date=2024-03-21|access-date=2028-01-20}}</ref> ''The Flash'' became available on September 8, 2024.<ref>{{Cite web|title=The Flash Arrives on Disney+ Following Theatrical Run|url=https://www.comicbookfilmnews.com/the-flash-disney-plus-2024|publisher=Comic Book Film News|date=2024-09-08|access-date=2028-01-20}}</ref> ''Bart and X.S'' became available on January 9, 2025.<ref>{{Cite web|title=Bart and X.S Now Streaming on Disney+|url=https://www.superheromoviehub.com/bart-and-xs-disney-plus-2025|publisher=Superhero Movie Hub|date=2025-01-09|access-date=2028-01-20}}</ref> ''Iron Man'' became available on June 3, 2025.<ref>{{Cite web|title=Iron Man Released on Disney+ After Successful Theatrical Run|url=https://www.filmfutureinsights.com/iron-man-disney-plus-2025|publisher=Film Future Insights|date=2025-06-03|access-date=2028-01-20}}</ref> ''Justice Z'' became available on July 22, 2025.<ref>{{Cite web|title=Justice Z Available for Streaming on Disney+|url=https://www.cinematicupdates.com/justice-z-disney-plus-2025|publisher=Cinematic Updates|date=2025-07-22|access-date=2028-01-20}}</ref>
Starting from Phase Two, each film became available on Disney+ 8 weeks after their theatrical run.<ref>{{Cite web|title=Disney+ Release Policy Change for Phase Two MCU Films|url=https://www.creator-database.com/phase-two-disney-plus-policy|publisher=Creator Database|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Disney+ Streaming Schedule Updates for New MCU Phase Two Films|url=https://www.newagecinema.com/phase-two-streaming-schedule|publisher=New Age Cinema|date=2026-12-15|access-date=2028-01-20}}</ref> ''The Flash and the Multiverse of the Speed Force'' became available on December 23, 2025.<ref>{{Cite web|title=The Flash and the Multiverse of the Speed Force Streaming Release Date|url=https://www.hollywoodfilmforecast.com/flash-multiverse-speed-force-disney-plus|publisher=Hollywood Film Forecast|date=2025-12-23|access-date=2028-01-20}}</ref> ''Superman: Legacy of Hope'' became available on April 19, 2026.<ref>{{Cite web|title=Superman: Legacy of Hope Now Available on Disney+|url=https://www.comicbookfilmnews.com/superman-legacy-hope-disney-plus-2026|publisher=Comic Book Film News|date=2026-04-19|access-date=2028-01-20}}</ref> ''Thor'' became available on August 11, 2026.<ref>{{Cite web|title=Thor's Streaming Release on Disney+ Confirmed|url=https://www.superheromoviehub.com/thor-disney-plus-2026|publisher=Superhero Movie Hub|date=2026-08-11|access-date=2028-01-20}}</ref> ''Harbingers'' became available on December 14, 2026.<ref>{{Cite web|title=Harbingers Available for Streaming Following Theatrical Success|url=https://www.filmfutureinsights.com/harbingers-disney-plus-2026|publisher=Film Future Insights|date=2026-12-14|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Overview of Disney+ Releases for Phase Two Films|url=https://www.cinematicupdates.com/phase-two-disney-plus-releases|publisher=Cinematic Updates|date=2026-12-15|access-date=2028-01-20}}</ref>
== Release ==
The first film of [[Mob Cinematic Universe: Phase Three|Phase Three]], ''Blade'' became available on July 7, 2027.<ref>{{Cite web|title=Blade's Streaming Release on Disney+|url=https://www.creator-database.com/blade-disney-plus-2027|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref> ''Harbingers: Dimension X'' became available on October 19, 2027.<ref>{{Cite web|title=Harbingers: Dimension X Now Available on Disney+|url=https://www.hollywoodfilmforecast.com/harbingers-dimension-x-disney-plus-2027|publisher=Hollywood Film Forecast|date=2027-10-19|access-date=2028-01-20}}</ref> ''Captain America: The First Hero'' became available on January 30, 2028.<ref>{{Cite web|title=Captain America: The First Hero Streaming Date Announced|url=https://www.comicbookfilmnews.com/captain-america-first-hero-disney-plus-2028|publisher=Comic Book Film News|date=2028-01-30|access-date=2028-01-20}}</ref> ''Fantastic Four'' became available on June 19, 2028.<ref>{{Cite web|title=Fantastic Four Available for Streaming on Disney+|url=https://www.superheromoviehub.com/fantastic-four-disney-plus-2028|publisher=Superhero Movie Hub|date=2028-06-19|access-date=2028-01-20}}</ref> ''Harbingers: Endgame'' became available nine weeks later on August 22, 2028.<ref>{{Cite web|title=Harbingers: Endgame Disney+ Release|url=https://www.filmfutureinsights.com/harbingers-endgame-disney-plus-2028|publisher=Film Future Insights|date=2028-08-22|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Disney+ Phase Three Film Availability|url=https://www.cinematicupdates.com/phase-three-disney-plus-availability|publisher=Cinematic Updates|date=2028-08-23|access-date=2028-01-20}}</ref>
=== Theatrical disttribution ===
The first film of [[Mob Cinematic Universe: Phase One|Phase One]], ''[[Deadpool & Wolverine]]'' was released on February 8, 2024 to all states at the same time. The second film, ''[[The Fantastic Four (2024 film)|The Fantastic Four]]'', was released on July 28, 2024. The third film, ''[[Doctor Doom (2025 film)|Doctor Doom]]'', was released on January 3, 2025. The fourth film, ''[[The Wolverine: Rebirth]]'', was released on March 11, 2025. ''[[Ascendants (2026 film)|Ascendants]]'', the last film of Phase One and fifth film overall in the MCU was released on February 12, 2026.
==== The Multiversal Saga ====
The first film of Phase Two, and sixth film overall, ''[[Deadpool 2 (2026 film)|Deadpool 2]]'', is scheduled to be released on May 21, 2026.
All films from Phase Four through to Phase Six will be released 4 weeks after their theatrical run. ''Deadpool'' ''II'' became available on October 21, 2029.
=== Home media & blu-ray ===
=== Disney+ releases ===
Each film in the Mob Cinematic Universe can be purchased in multiple formats including blu-ray and 4K Resolution. All films were available at local stores or are able to be purchased online for a better price.
All films from Phase One will become available on Disney+ one month following their release in cinemas. ''[[Deadpool & Wolverine]]'' became available on Disney+ on March 8, 2024. ''[[The Fantastic Four (2024 film)|The Fantastic Four]]'' became available on Disney+ on September 21, 2024. ''[[Doctor Doom (2025 film)|Doctor Doom]]'' became available on Disney+ on February 12, 2025. ''[[The Wolverine: Rebirth]]'' became available on Disney+ on June 28, 2025. ''[[Ascendants (2026 film)|Ascendants]]'' became available on Disney+ on March 27, 2026.
Unlike the release schedule of a streaming service, Mob Productions didn't release films soon after they left cinemas. Instead, six weeks following the conclusion of a phase, they'd release a bundle for a set price ($90). The [[Mob Cinematic Universe#Mob–CU: Phase One Bundle|Mob–CU: Phase One Bundle]] was released on July 22, 2025. [[Mob Cinematic Universe#Mob–CU: Phase Two Bundle|The Mob–CU: Phase Two Bundle]] was released on November 30, 2026. [[Mob Cinematic Universe#Mob–CU: Phase Three Bundle|The Mob–CU: Phase Three Bundle]] was released on August 1, 2028.
Disney+ serves as the exclusive streaming platform for all television series within the universe. ''[[Impulse (TV series)|Impulse]]'' premiered on September 10, 2024, and concluded on November 12. ''[[Ajax (miniseries)|Ajax]]'' followed, airing from December 17, 2024, to January 7, 2025. ''[[Moonknight (miniseries)|Moonknight]]'' premiered on February 18, 2025, and wrapped up on April 1, while ''[[Young Justice (miniseries)|Young Justice]]'' aired from March 7 to April 4, 2025. The final series of Phase One, ''[[Crisis on Infinite Earths (miniseries)|Crisis on Infinite Earths]]'', premiered on July 18, 2025 all at once.
This format was both praised and disliked from the community. The positive reviews praised the pricing and that all the films of that specific phase were all on one singler disk, whilst a more expensive version would feature a disk for all films, priced at $120 instead of $90. Though, with the Phase Two and Phase Three bundles, the option with more disks wwas cheaper than the single disk option. The negative backlash though criticised the expensive price to purchase the films on disk and felt that was a way to increase Disney+ subscriptions. Some even refused felt that the single-disk option was slow and very bad to navigate.
Phase Two will feature two additional series (that have been revealed), ''Black Panther'', is scheduled to premiere on April 22 and will consist of 6 episodes until June 3, 2026. The second series, ''[[Spider-Man: Lord of Times]]'', is scheduled to be released all at once on July 6, 2026 with 8 episodes.
|<ref>{{Cite web|title=Deadpool Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|
|-
|-
! scope="row" |''The Flash''
! scope="row" |''[[The Fantastic Four (2024 film)|The Fantastic Four]]''
|<ref>{{Cite web|title=Bart and X.S Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Iron Man''
|April 22, 2025
|TBA
|TBA
|${{val|{{#expr: 0 + 0}}|fmt=commas}}
|TBA
|<ref>{{Cite web|title=Iron Man Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Z Justice''
|June 10, 2025
|TBA
|TBA
|${{val|{{#expr: 0 + 0}}|fmt=commas}}
|TBA
|<ref>{{Cite web|title=Z Justice Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
! scope="row" |''The Flash and the Multiverse of the Speed Force''
|October 28, 2025
|TBA
|TBA
|${{val|{{#expr: 0 + 0}}|fmt=commas}}
|TBA
|<ref>{{Cite web|title=The Flash and the Multiverse of the Speed Force Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Superman: Legacy of Hope''
|February 22, 2026
|TBA
|TBA
|${{val|{{#expr: 0 + 0}}|fmt=commas}}
|TBA
|<ref>{{Cite web|title=Superman: Legacy of Hope Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Thor''
|June 16, 2026
|TBA
|TBA
|${{val|{{#expr: 0 + 0}}|fmt=commas}}
|TBA
|<ref>{{Cite web|title=Thor Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Harbingers''
|October 19, 2026
|TBA
|TBA
|${{val|{{#expr: 0 + 0}}|fmt=commas}}
|TBA
|<ref>{{Cite web|title=Harbingers Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|<ref>{{Cite web|title=Blade Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Harbingers: Dimension X''
|August 24, 2027
|TBA
|TBA
|${{val|{{#expr: 0 + 0}}|fmt=commas}}
|TBA
|<ref>{{Cite web|title=Harbingers: Dimension X Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Captain America: The First Hero''
|December 5, 2027
|TBA
|TBA
|${{val|{{#expr: 0 + 0}}|fmt=commas}}
|TBA
|<ref>{{Cite web|title=Captain America: The First Hero Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Fantastic Four''
|April 24, 2028
|TBA
|TBA
|${{val|{{#expr: 0 + 0}}|fmt=commas}}
|TBA
|<ref>{{Cite web|title=Fantastic Four Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
|-
! scope="row" |''Harbingers: Endgame''
|June 20, 2028
|TBA
|TBA
|${{val|{{#expr: 0 + 0}}|fmt=commas}}
|TBA
|<ref>{{Cite web|title=Harbingers: Endgame Data Gross|url=https://www.creator-database.com/the-chaos-saga-grossing|publisher=Creator Database|date=2027-07-07|access-date=2028-01-20}}</ref>
{{Main|List of accolades received by Mob Cinematic Universe films}}
{{Main|List of accolades received by Mob Cinematic Universe films}}
The films of the [[List of accolades received by Mob Cinematic Universe films|Mob Cinematic Universe]] have been nominated for numerous awards. However, it has caused the creation of hundreds of memes. The franchise has been given negative reviews for being too much like the Marvel Cinematic Universe.
The films of the [[List of accolades received by Mob Cinematic Universe films|Mob Cinematic Universe]] have been nominated for numerous awards. However, it has caused the creation of hundreds of memes. The franchise has been given negative reviews for being too much like the [[Marvel Cinematic Universe]].
== Potential/Cancelled projects ==
== Potential/Cancelled projects ==
These projects were in development as films from Mob Productions before being either cancelled:<ref>{{Cite web|last=Smith|first=John|title=The Cancelled Projects of Mob Productions: An Inside Look|url=https://www.filmmakingtales.com/cancelled-projects-mob|publisher=Filmmaking Tales|date=2014-03-15|access-date=2028-01-20}}</ref><ref>{{Cite web|last=White|first=Michael|title=What Went Wrong: The Cancelled Film Ventures of Mob Productions|url=https://www.cinemafailure.com/mob-productions-cancelled|publisher=Cinema Failure|date=2014-04-10|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Brown|first=Linda|title=Unseen Cinema: The Unproduced Films of Mob Productions|url=https://www.lostcinemajournal.com/unproduced-mob-films|publisher=Lost Cinema Journal|date=2014-05-05|access-date=2028-01-20}}</ref>
These projects were in development as films from Mob Productions before being either cancelled:
* '''''[[Doctor Doom (film)|Doctor Doom]]''''': A film that focuses on the character on the same name. Goodwin pubically announced that the ''Doctor Doom'' film has been delayed indefinitely on February 18, 2024.<ref name=":1" /><ref>{{Cite web|last=Evans|first=Gregory|title=Goodwin Announces Delay of Doctor Doom Film|url=https://www.cinemastatus.com/doctor-doom-film-delay|publisher=Cinema Status|date=2024-02-18|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Martinez|first=Angela|title=Why Mob Productions Delayed Doctor Doom Indefinitely|url=https://www.filmfutures.com/mob-productions-doctor-doom|publisher=Film Futures|date=2024-02-20|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Reed|first=Samuel|title=Updates on Mob Productions: The Doctor Doom Project|url=https://www.hollywoodtoday.net/doctor-doom-updates|publisher=Hollywood Today|date=2024-02-22|access-date=2028-01-20}}</ref><ref name=":3" />
== Upcoming crossover with ''The Boys'' universe ==
Following a meeting between [[Sony Pictures Television|Sony Pictures]] and Mob Productions in 2025,<ref>{{Cite web|last=Reynolds|first=Marie|title=Cross-Studio Collaborations and Intellectual Property Rights: The Mob-Sony Negotiations|url=https://www.entertainmentlawreview.com/cross-studio-collaborations-2025|publisher=Entertainment Law Review|date=2025-07-10|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Morris|first=Richard|title=Negotiating Creative Control in Film Crossovers|url=https://www.filmcollaborationjournal.org/negotiating-creative-control-2025|publisher=Film Collaboration Journal|date=2026-01-10|access-date=2028-01-20}}</ref> Goodwin noted that they had to work alone without any producer or development teams coming in from other franchises.<ref name=":0">{{Cite web|last=Peterson|first=Tom|title=The Challenges of Inter-Franchise Agreements|url=https://www.cinematicuniverseinsights.com/inter-franchise-agreements|publisher=Cinematic Universe Insights|date=2025-08-05|access-date=2028-01-20}}</ref> Goodwin said he felt it would be a "bad" choice to have writers and producers make something that should be in the hands of people who have helped make the Mob Cinematic Universe what it is today.<ref name=":0" /> Goodwin confirmed a crossover is possible as long as other party [''Sony''] is willing to give them the rights to use their property.<ref>{{Cite web|last=Johnson|first=Harold|title=Strategic Dynamics in Cinema Collaboration: The Mob Productions-Sony Talks|url=https://www.mediamanagementjournal.org/strategic-dynamics-2025|publisher=Media Management Journal|date=2025-06-15|access-date=2028-01-20}}</ref> In a similar call with Sony, [[Eric Kripke]], the creator of ''The Boys'', stated he didn't want to have his television series be worked on by anyone without his part in development.<ref>{{Cite web|last=Peterson|first=Tom|title=The Challenges of Inter-Franchise Agreements|url=https://www.cinematicuniverseinsights.com/inter-franchise-agreements|publisher=Cinematic Universe Insights|date=2025-08-05|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Brooks|first=Jessica|title=Exploring the Potential of a Mob-Sony Crossover|url=https://www.hollywoodreportertoday.com/mob-sony-crossover-potential|publisher=Hollywood Reporter Today|date=2025-09-01|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Kumar|first=Ajay|title=Intellectual Property in Film: Lessons from Mob Productions' Negotiation with Sony|url=https://www.globalfilmmarketreview.com/ip-in-film-2025|publisher=Global Film Market Review|date=2025-10-11|access-date=2028-01-20}}</ref><ref>{{Cite web|last=Lee|first=Angela|title=Sony and Mob Productions: A Case Study in Media Collaboration|url=https://www.cinematicanalysis.com/sony-mob-collaboration|publisher=Cinematic Analysis|date=2025-11-20|access-date=2028-01-20}}</ref> Discussions for the crossover were placed on hold due to the ongoing disagreements.<ref>{{Cite web|last=Green|first=Michelle|title=Behind the Scenes of the Sony-Mob Productions Talks|url=https://www.insidefilmindustry.com/sony-mob-talks-2025|publisher=Inside Film Industry|date=2025-12-05|access-date=2028-01-20}}</ref>
By March 2026, the discussions had begun again and both parties continued to have disagreements. Reynolds approached Goodwin and revealed he had three more films planned to produce for the MCU and planned to cancel them if Goodwin didn't let Kripke produce and write the films within the MCU.<ref>{{Cite web|title=Long Negotiations Lead to Agreement in MCU|url=https://www.cinematicupdates.com/long-negotiations-mcu-2026|publisher=Cinematic Updates|date=2026-06-20|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Eric Kripke's Potential Role in MCU Explored|url=https://www.superherofilmgossip.com/kripke-mcu-role-2026|publisher=Superhero Film Gossip|date=2026-05-22|access-date=2028-01-20}}</ref> These additional discussions lasted until June 2026.<ref>{{Cite web|title=The Impact of Ryan Reynolds' Decision on MCU Films|url=https://www.entertainmentanalysis.com/ryan-reynolds-decision-impact-2026|publisher=Entertainment Analysis|date=2026-04-30|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Reynolds and Goodwin Seal Deal for Deadpool in MCU|url=https://www.movieinsiderreports.com/reynolds-goodwin-deal-2026|publisher=Movie Insider Reports|date=2026-11-20|access-date=2028-01-20}}</ref> Finally, by November 2026, Goodwin agreed to the plan and deal because of the need of keeping the character Deadpool within the MCU.<ref>{{Cite web|title=Renewed Negotiations Between Reynolds and Goodwin|url=https://www.creator-database.com/reynolds-goodwin-negotiations-2026|publisher=Creator Database|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Ryan Reynolds' Ultimatum to Mob Productions|url=https://www.hollywoodtrends.com/ryan-reynolds-ultimatum-2026|publisher=Hollywood Trends|date=2026-03-15|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Goodwin and Reynolds Reach Agreement on Deadpool's Future|url=https://www.filmindustrynews.com/deadpool-agreement-2026|publisher=Film Industry News|date=2026-11-10|access-date=2028-01-20}}</ref>
In December 2026, Goodwin announced a new film that features the Avengers, Justice League, X-Men, and Harbingers is in development, and will incorperate the characters from ''The Boys'' into the MCU.<ref>{{Cite web|title=Goodwin Announces Epic Crossover Film with Avengers, Justice League, and More|url=https://www.creator-database.com/multiverse-crossover-film-announcement-2026|publisher=Creator Database|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Integration of The Boys into MCU: Goodwin's Bold New Film|url=https://www.hollywoodtrends.com/the-boys-mcu-integration-2026|publisher=Hollywood Trends|date=2026-12-05|access-date=2028-01-20}}</ref> Goodwin cited that the idea is very similar to that of ''[[Spider-Man: No Way Home]]'' (2021), in which characters from other universes appear in the MCU and leave at the end of the film.<ref>{{Cite web|title=Goodwin's Multiverse Strategy: A New Film with Multiversal Crossovers|url=https://www.filmindustrynews.com/multiverse-strategy-2026|publisher=Film Industry News|date=2026-12-10|access-date=2028-01-20}}</ref><ref>{{Cite web|title=Upcoming Crossover Film Inspired by Spider-Man: No Way Home|url=https://www.superherofilmgossip.com/spider-man-inspired-crossover-2026|publisher=Superhero Film Gossip|date=2026-12-15|access-date=2028-01-20}}</ref>
* ''Sunfire x Dazzler: The Mutant Face-Off'': Cancelled on December 7, 2024.
== References ==
== References ==
{{Reflist|30em|refs=
{{Reflist|30em|refs=
Latest revision as of 19:35, 19 April 2026
Mob Cinematic Universe films
Artwork for "The Infinity Saga Collector's Edition" box set
The Mob Cinematic Universe (MCU) features a list of American films and series superhero films produced by Mob Productions based on characters that appear in publications by Marvel Comics, Mob Comics, and DC Comics. The MCU is the shared universe in which all of the films are set. The films have been in production since 2019, and in that time Mob Productions have had multiple films in various stages of development.
The films are written and directed by various individuals and feature large, often ensemble, casts. All entries are produced by Mob Productions, with individual films overseen by separate creative teams depending on tone and scope.
Mob Productions releases its films in grouped story arcs known as “Phases”, a structure inspired by Marvel Studios’ Marvel Cinematic Universe (MCU). The films form a shared fictional continuity referred to as the Mob Cinematic Universe (MCU), combining characters and concepts primarily drawn from Marvel Comics and select DC Comics properties. Distribution responsibilities vary by project and branding, with films marketed under either Marvel Studios, DC, or joint branding where applicable.
Phase One spans from 2026 to 2028 and serves as the foundational chapter of the Mob Cinematic Universe. The phase consists of four confirmed films: Spider-Man: Shadow of the City (2026), Batman: Black Signal (2026), Doctor Strange: Fracture Point (2027), and Justice League: Genesis Protocol (2028). These films introduce the universe’s central heroes, establish its tonal range across street-level, grounded, and cosmic narratives, and culminate in its first large-scale ensemble crossover.
In addition to the confirmed releases, Phase One includes three unannounced projects scheduled for release within the same period: Scarlet Witch: Hexfall (2026), Green Lantern: Beyond the Veil (2027), and World’s Finest (2028). These films were revealed without final release dates and are intended to expand the universe’s supernatural, cosmic, and inter-franchise elements ahead of subsequent phases.
By September 2012, SOI Studios president Freddie Goodwin entered discussions with Warner Bros. and Mob Productions regarding a potential merger to develop film and television projects under a unified brand. Negotiations were delayed several times due to disagreements between company leadership. During an online presentation in April 2013, Goodwin stated that discussions were ongoing and that progress toward an agreement was being made.
In June 2016, it was publicly announced that SOI Studios had merged with Mob Productions, with Goodwin retaining his position as president. By 2018, industry leaks suggested that Deadpool and Wolverine film projects were in development; Goodwin later confirmed these reports and stated that the films would form part of the first phase of a shared cinematic universe.
In 2020, Ryan Reynolds was announced to reprise his role as Wade Wilson, alongside returning cast members from Deadpool (2016) and Deadpool 2 (2018). Goodwin indicated that the project would adapt elements from the earlier films while targeting an MA15+ rating rather than an R18+ classification. Development on the Deadpool and Wolverine projects continued concurrently, with Reynolds formally confirmed to return in June 2021. By June 2022, the films were being developed as interconnected entries.
At San Diego Comic-Con in 2022, Goodwin confirmed the Phase One slate, which included Doctor Doom, The Fantastic Four, a Deadpool film, a Wolverine film, and a mutant-focused team-up project. Later that year, the Deadpool and Wolverine films were consolidated into a single project titled Deadpool & Wolverine.
Following the critical and commercial failure of Fantastic Four (2015), 20th Century Fox explored alternative approaches to the franchise. In 2017, Seth Grahame-Smith was commissioned to write a new screenplay inspired by Ultimate Fantastic Four, focusing on Franklin and Valeria Richards, while Noah Hawley was hired to develop a separate Doctor Doom project. After The Walt Disney Company acquired 21st Century Fox in March 2019, development on Fox’s Marvel-based projects was suspended and control of the Fantastic Four property transferred to Marvel Studios.
Marvel Studios announced a new Fantastic Four film in 2019, with Jon Watts attached as director in 2020 before departing in April 2022. Later that year, the project was reassigned to Mob Productions for inclusion in the Mob Cinematic Universe. New writers Julianne Crestwood, Marcus V. Ellington, and Eliza Thornhill were hired, and filming concluded in 2023. Mob Productions stated that the film would introduce a third major team into the shared universe.
In June 2019, Goodwin outlined long-term plans for the franchise, projecting multiple additional phases beyond Phase Three. On July 13, 2024, he released a 90-minute public presentation detailing the future of the Mob Cinematic Universe, confirming that two films had completed filming and announcing several projects, including the crossover film The X-Men Chronicles (2027), a solo Doctor Doom film, and The Mutants, which was described as the concluding entry of Phase One and the beginning of the Mutant War Saga.
On December 7, 2024, Goodwin announced that Sunfire x Dazzler: The Mutant Face-Off had been canceled, while Ascendants was delayed to November 23, 2025. On April 10, 2025, he confirmed that the full slates for Phase Two and Phase Three would be unveiled at San Diego Comic-Con later that year.
In early 2026, Goodwin announced that the franchise would be "reset", though the films that were released would become unrelated.
At any given time, Mob Productions has future films planned five to six years out from what they have announced. By April 2014, additional storylines were planned through 2028, with MCU films through 2032 being planned by April 2022.
Captain Marvel will be directed by James Gunn whilst the screenplay is currently being written by Gunn, Goodwin and Ethan Morland. Captain Marvel will be released in either 2027 or 2028, with a chance of releasing in a future unannounced phase.
Goodwin, the creative lead behind the MCU, has overseen a distinctive approach to integrating television series into the franchise. Beginning in 2021, Mob Productions embraced streaming as a platform for expanding its universe beyond film, with series developed for platforms like Disney+. Goodwin explained that streaming allowed for flexibility in both format and narrative structure. Some series were designed as self-contained miniseries meant to directly set up future films, while others were envisioned as multi-season arcs that ran in parallel with the films, often with long gaps between seasons—drawing comparisons to shows like Game of Thrones and Stranger Things. Goodwin emphasized that each season or miniseries was treated as a cinematic event, generally aiming for around six hours of total content. This structure varied by project—some used six hour-long episodes, while others opted for nine shorter episodes. Budgets typically ranged from $100 million to $150 million, with flagship series exceeding $200 million. The high production costs were largely due to cast salaries and heavy reliance on visual effects. Mob’s early slate of series—such as Impulse and Ajax—followed a film-like structure, giving characters one defined arc across a tightly serialized story. Later shows, like Young Justice and Crisis on Infinite Earths, began experimenting with more episodic storytelling and larger ensemble casts.
Mob Productions initially avoided the traditional "showrunner" model, instead using the term "head writer" and encouraging close collaboration between writers and directors. Directors were often involved from early development and participated in writers’ room discussions, mirroring the creative pipeline used on the MCU films. Junior executives, many of whom had worked on earlier films in production roles, served as liaisons between writers, directors, and Goodwin himself. Final creative authority for each series rested with Goodwin, who remained actively involved in key decisions across the slate. This collaborative but hierarchical approach was described as efficient by series directors and writers. Shows such as Impulse, directed entirely by Goodwin, benefited from a unified vision. Others, like Crisis on Infinite Earths, employed multiple directors with split duties across episodes, driven by scheduling demands and varying story needs. In most cases, the head writer had final script approval before filming began, after which the director assumed greater creative control during production and post. Head writers typically remained involved through post-production to oversee rewrites and continuity adjustments.
Between 2024 and 2025, the cinematic universe under Goodwin’s leadership underwent a significant transformation in its television strategy. Following a wave of overproduction, inconsistent storytelling, and ballooning costs, Goodwin began to overhaul how television content was developed and delivered. The early approach—where every series was treated as a six-hour cinematic event designed to tie directly into theatrical films—was no longer sustainable. Creative burnout, tonal disarray, and a lack of long-term planning began surfacing across multiple in-development shows. At the height of the problem, projects such as Impulse (Season 2), What If..., Exotic Adventures, Black Panther, Doctor Strange, The Adventures of the Speed Force, Spider-Man: Lord of Times, and Warmachine were all either in limbo or suffering from narrative and logistical misalignment. With multiple timelines colliding, characters overlapping without purpose, and budgets spiraling out of control, the weight of the interconnected universe began to collapse inward.
Goodwin, known for his cinematic ambition, was the first to admit that the strategy was flawed. In a candid internal memo, he described the first wave of series as “an ecosystem where everything fed everything—except the audience.” He noted that viewers were struggling to keep up, creators were restricted by mandatory tie-ins, and stories were being stretched to fit formats they were never meant for. The failure of Exotic Adventures, which reportedly burned through over $120 million before being shut down in post-production, became a symbol of excess. Similarly, Warmachine was shelved after creative teams failed to unify its political thriller premise with the universe’s increasingly multiversal tone. In response, Goodwin initiated a complete pivot: moving away from cinematic-style miniseries toward traditional, showrunner-led television. Each series would now begin with a pilot script and a full series bible, and no production would be greenlit unless the story stood on its own merits—regardless of franchise connections.
At the same time, pressure from Disney intensified. Amid broader cost-cutting across its streaming division, Disney slashed television budgets and demanded a shift toward sustainability. Several projects were halted entirely, while others—like Doctor Strange and Black Panther—were repurposed with smaller scopes and a clearer narrative focus. Goodwin emphasized that spectacle was no longer the goal; story was. In a 2025 interview, he stated, “We were trying to build universes when we hadn’t finished building television. That’s on me.” The shift toward a more traditional model was also inspired by the quiet success of Impulse Season 2, which was developed with a single showrunner, leaner structure, and minimal crossover requirements. Unlike earlier series, it finished on time, under budget, and with strong internal feedback—something few other projects could claim.
By early 2025, Goodwin had implemented new rules: no more “backdoor film setups,” no more six-hour movie formats disguised as television, and no more greenlights based solely on franchise potential. Series like What If... were redesigned as anthology experiments, free from continuity obligations. The Adventures of the Speed Force was rebuilt into a character-focused episodic format, while Spider-Man: Lord of Times was delayed and scaled back to allow room for a restructured arc. From this point forward, each series would live or die by its pilot. If it wasn’t strong enough to stand alone, it wouldn’t be made. Goodwin also announced a hard cap on output: no more than three live-action series would be produced per year, ensuring tighter quality control and more deliberate scheduling.
By May 2025, only a select few projects remained active. Impulse continued forward with a clear path. Doctor Strange was reimagined as a serialized mystical procedural. What If... gained a new creative team. Others were either placed on indefinite hold or absorbed back into the film division for potential reworking. Goodwin delegated day-to-day oversight of television to newly promoted executive Maya Thompson, who was tasked with establishing a “seasonal cadence” that audiences could rely on—replacing the unpredictability and content fatigue that had plagued the early years. With this shift, Goodwin returned his focus entirely to the feature film slate, now confident that the television side had a structure capable of sustaining itself without collapsing under the weight of cinematic expectations.
The reset marked the end of an era defined by ambition and overreach, and the beginning of one grounded in clarity, sustainability, and creative discipline. For Goodwin, it was less about shrinking the universe and more about saving it—one focused season at a time.
In February 2025, Freddie Goodwin initiated a decisive restructuring of his cinematic universe’s television slate, marking the largest wave of cancellations and creative pauses since the franchise expanded into streaming. The move followed ongoing cost-cutting directives from Disney and came in response to concerns about quality control, audience retention, and development overload. With too many shows competing for attention and internal resources, Goodwin made the call to eliminate or delay several projects that no longer aligned with the refined long-term vision. Among the casualties was Warmachine, a politically-charged thriller centered on James Rhodes that had struggled to find tonal balance after multiple rewrites. Originally intended to explore the aftermath of global arms trafficking in a post-Ascendants world, the project ballooned in scope and budget, eventually stalling out in early pre-production. With no strong creative direction and increasingly unclear relevance to the wider narrative arc, the series was officially canceled.
Exotic Adventures, an interdimensional road-trip comedy that was being developed as a genre experiment, was also shelved indefinitely. While initial concepts were received enthusiastically for their originality, the series was deemed tonally inconsistent with the current direction of the universe. Its detachment from key characters and core events made it an easy candidate for removal. What If..., initially planned as an anthology extension of alternate universe events, was also canceled. While its animated format allowed for narrative freedom, it suffered from falling viewership and increasing production delays. With the multiversal thread already being covered in other live-action projects, Goodwin confirmed that the series would not return for additional seasons.
Two other projects were placed on indefinite hold rather than outright canceled. Impulse (Season 2), though well-received during its first run, was considered redundant given its thematic overlap with other upcoming content. Insiders noted that while Goodwin respected its potential, the time wasn’t right for continuation. The Adventures of the Speed Force, which had encountered ongoing script and tone problems, was similarly paused to prevent further resource strain. Neither project was ruled out for revival, but neither remains in active development.
In contrast, Black Panther and Spider-Man: Lord of Times were explicitly spared from the cuts. Goodwin identified both as structurally and narratively vital to the post-Ascendants era. Black Panther was undergoing a structural revamp with new writers brought in to tighten continuity and scale, while Lord of Times remained in full development due to its multiversal implications and its role in setting up Phase Three's central arc. The cancellations marked a sobering but necessary correction to the franchise’s rapid expansion into television. Goodwin stated plainly in a press statement: “We greenlit too much, too fast. The lesson now is focus. We’re building stories to last—not to just exist.” The reshaped slate now favors fewer shows, with more oversight, clearer narrative function, and an emphasis on creative sustainability.
The Mob Cinematic Universe (MCU) features a large ensemble of recurring characters portrayed by an expansive roster of actors, many of whom appear across multiple films and series. Ryan Reynolds stars as Wade Wilson / Deadpool, a mercenary with accelerated healing and a penchant for breaking the fourth wall. Initially introduced as a solo character, Deadpool later became central to the overarching multiversal storyline. Reynolds also portrays multiple variants of the character, including an unscarred, long-haired version and the canine-inspired Dogpool.
Hugh Jackman reprises his role as James "Logan" Howlett / Wolverine, depicting various versions of the character—including Old Man Logan, Patch, and a 1990s-inspired variant—as part of the multiverse narrative. Other mutants returning from the Fox-era include Aaron Stanford as Pyro, Tyler Mane as Sabretooth, and Jennifer Garner as Elektra. Characters such as Vanessa (Morena Baccarin), Blind Al (Leslie Uggams), Dopinder (Karan Soni), and Colossus (voiced by Stefan Kapičić) also reappear in multiple entries, maintaining continuity with earlier Deadpool installments.
Several major Marvel characters are introduced or reimagined within the MCU. Pedro Pascal portrays Reed Richards / Mister Fantastic, alongside Vanessa Kirby as Sue Storm, Joseph Quinn as Johnny Storm, and Ebon Moss-Bachrach as Ben Grimm / The Thing—forming the Fantastic Four. Julia Garner appears as Shalla-Bal / Silver Surfer, while Ralph Ineson plays the cosmic entity Galactus. The villainous arc is anchored by Mads Mikkelsen as Victor Von Doom / Doctor Doom, with additional antagonists including Alicia Vikander as Lucia Von Bardas, Christoph Waltz as Mister Sinister, and Barry Keoghan as Arcade.
The Ascendants arc within the MCU introduces an original team of heroes and antagonists. Chris Hemsworth stars as Kael Thorne / Stormborne, a lightning-wielding tactician burdened by leadership. Vanessa Kirby appears as Elira Voss / Mirage, a stealth operative who manipulates light. Letitia Wright plays Nyari Sol, a technopath capable of communicating with machines. Paul Rudd portrays Milo Creel / Skipjack, a rogue time-runner with humor masking trauma. Sebastian Stan returns as Dax Riven / Hollow, a bio-engineered soldier stripped of emotion, now seeking redemption.
Florence Pugh joins the cast as Syla Ryn / Widowthorn, a lethal assassin trained by a hidden order who uses venom-coated blades and psychological manipulation. Simu Liu plays Korran Sha / Skyburn, a volatile exiled prince wielding kinetic heat energy. Danny Ramirez portrays Jet Calder, an anti-gravity aerial specialist and reconnaissance expert. Pedro Pascal also appears as Solon Rhade / Architect, a master strategist with the power to construct physical structures from thought. Robert Downey Jr. plays Virex, the film’s central antagonist—an ancient being who seeks to collapse all timelines into a singular, logical order.
The first film of Phase One, Deadpool & Wolverine was released on February 8, 2024 to all states at the same time. The second film, The Fantastic Four, was released on July 28, 2024. The third film, Doctor Doom, was released on January 3, 2025. The fourth film, The Wolverine: Rebirth, was released on March 11, 2025. Ascendants, the last film of Phase One and fifth film overall in the MCU was released on February 12, 2026.
The first film of Phase Two, and sixth film overall, Deadpool 2, is scheduled to be released on May 21, 2026.
All films from Phase One will become available on Disney+ one month following their release in cinemas. Deadpool & Wolverine became available on Disney+ on March 8, 2024. The Fantastic Four became available on Disney+ on September 21, 2024. Doctor Doom became available on Disney+ on February 12, 2025. The Wolverine: Rebirth became available on Disney+ on June 28, 2025. Ascendants became available on Disney+ on March 27, 2026.
Disney+ serves as the exclusive streaming platform for all television series within the universe. Impulse premiered on September 10, 2024, and concluded on November 12. Ajax followed, airing from December 17, 2024, to January 7, 2025. Moonknight premiered on February 18, 2025, and wrapped up on April 1, while Young Justice aired from March 7 to April 4, 2025. The final series of Phase One, Crisis on Infinite Earths, premiered on July 18, 2025 all at once.
Phase Two will feature two additional series (that have been revealed), Black Panther, is scheduled to premiere on April 22 and will consist of 6 episodes until June 3, 2026. The second series, Spider-Man: Lord of Times, is scheduled to be released all at once on July 6, 2026 with 8 episodes.
The films of the Mob Cinematic Universe have been nominated for numerous awards. However, it has caused the creation of hundreds of memes. The franchise has been given negative reviews for being too much like the Marvel Cinematic Universe.
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