Mob Studios

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This article is about the production studio founded in 2026. For its parent company, see Mob Productions.

Mob Studios
Company typeDivision
IndustryEntertainment
FoundedApril 8, 2026 (2026-04-08)
Founders
Key people
Products
Brands
OwnerMob Productions
ParentMob Productions
Divisions
  • Mob Studios Animation
  • Mob Studios Music

Mob Studios is an American film and television production division of Mob Productions, established in partnership with Mojang Studios to oversee screen adaptations of the Minecraft video game franchise. It was founded on April 8, 2026, following the cancellation of World of X – Part Two and the decision to replace the Minecraft Cinematic Universe (MCCU) with a completely new continuity. The division is led by co-chairs Alex Brow and Lena Cross, with Brow responsible for creative development and long-term planning and Cross overseeing production, budgeting, and coordination with Mojang.[1][2]

The studio's principal franchise is the Minecraft Universe (MIU), a shared continuity of computer-animated films and television series released in groups called "Chapters". Chapter One began with the Disney+ series Villagers and theatrical film Minecraft: The First Night in 2028, and concluded with Minecraft: The Broken Seed in 2034. Chapter Two began later that year with The Wither and continued with the Disney+ miniseries Stronghold in 2035.[3][4][5][6][7]

Mob Studios also operates the Minecraft Stories label for standalone adaptations, experimental productions, projects based on player-created worlds, and the continued distribution of films from the previous MCCU continuity. The label uses a separate opening identity and is not connected narratively to the Minecraft Universe.[8]

The studio produces its projects entirely through animation. Mob Studios Animation maintains shared character, environment, crowd, portal, gravity, sculk, redstone, and world-generation systems that may be adapted for individual productions, while filmmakers are allowed to alter visual style, genre, pacing, and performance-capture techniques. Mob Studios Music supervises soundtrack production and releases albums for films and major television projects.[9][10]

As of May 2035, Mob Studios had released seven theatrical films and six television seasons across five series. Its films had grossed a combined $7.5249 billion worldwide against combined production budgets of $1.295 billion. Minecraft: The Broken Seed is its highest-grossing release with $1.684 billion, while Stronghold became the studio's largest Disney+ series debut with 13.8 million global views during its first five days.[11][12][13]

The studio's productions have received generally positive reviews. Stronghold, Deep Dark, Minecraft: The Broken Seed, and the second season of Villagers are among its best-reviewed projects. Critics have praised the studio's animation, voice ensembles, dimensional cultures, and use of construction, memory, infrastructure, and political authority as continuing themes, while some connected productions have been criticized for dense continuity and long runtimes.[14][15][16]

History

Background and formation

Mob Productions began producing interconnected animated Minecraft films during the 2010s. The resulting Minecraft Cinematic Universe gradually expanded from relatively self-contained adventures into crossover stories involving Herobrine, Entity 303, World X, ancient artifacts, and an increasingly large recurring cast. World of X – Part One was released in 2025 and was intended to begin a two-part conclusion, but the planned second film was abandoned before full production.[17][18]

Before the cancellation, Mob Productions had outlined additional MCCU projects centered on Entity 303, Jackstar, Derp, and the original Legion of Herobrine. Brow later said the proposed slate depended heavily on unfinished history from earlier films and treated individual installments primarily as preparation for later crossovers. Miller, who directed World of X – Part One, argued that future adaptations should return to the uncertainty, survival, construction, and exploration associated with a player entering an unfamiliar world.[19][20]

Brow proposed a full continuity reboot in September 2025. Mob Productions and Mojang Studios initially considered a softer approach that would retain selected performers and concepts while moving the established characters into a regenerated world. Cross opposed the proposal because the unfinished World of X storyline would remain central to understanding the new films. The companies approved a complete reset in early 2026, with no narrative connection to the MCCU.[21][22][23]

In January 2026, Mob Productions and Mojang began discussing a dedicated production division that could coordinate film, television, animation, and franchise planning without requiring every project to use the same tone or intended audience. Mob Studios was formally established on April 8. Brow and Cross were appointed co-chairs; Brow was assigned creative development and long-term franchise planning, while Cross assumed responsibility for production, budgeting, release coordination, and the studio's working relationship with Mojang.[1][2]

Miller signed an overall agreement to write, direct, and produce projects for the new continuity. Brow described him as the studio's "lead storyteller", but he was not made the sole creative executive. Elridge was appointed to oversee television development, Goodwin became senior writer for the film division, and Mara Venn was hired to coordinate production design and shared visual assets.[24][25]

Mob Studios formed an initial writers' group consisting of Miller, Goodwin, Elridge, Cross, Michael Green, Priya Desai, Owen Mercer, and Celia North. The group spent approximately five months developing the history of the Overworld, Nether, End, and Deep Dark; the rules governing crafting, portals, respawning, memory, and world generation; and the social structures of Villagers, Piglins, End-born communities, and hostile mobs. Mojang developers reviewed the material for consistency with the game while allowing the filmmakers to create new characters, civilizations, and mythology.[26][27]

Establishment of the Minecraft Universe

The studio's first internal plan consisted of three films and one television series. Miller expanded it into a chapter-based structure in which individual productions would explore different regions and genres before their consequences converged. The first public slate was announced on July 31, 2026, under the title Minecraft Universe: Chapter One. It initially included four films—Minecraft: The First Night, Netherbound, The Ender Crown, and Minecraft: The Broken Seed—and the Disney+ series Villagers, Redstone, and Deep Dark.[3][28]

The same presentation introduced Minecraft Stories, a separate label for adaptations outside the shared continuity. Brow said the label would prevent every viable concept from being forced into the MIU and allow standalone productions to use different visual styles, age groups, and interpretations of the game's mythology.[8]

The studio selected stylized computer animation rather than photorealistic live action. Environments retained the game's block geometry, while characters used more expressive facial animation, clothing, movement, and physical detail. Miller said the goal was not to make Minecraft realistic, but to make its simple forms feel tangible and emotionally credible.[29]

Agent Derp entered active development in October 2026 and became the first major reinterpretation of a character associated with the MCCU. Although Scott Menville returned as Derp, the new character had no connection to Steve Stonecutter or the previous continuity. Brow said the casting demonstrated that performers could return when the new interpretation did not depend on their earlier character histories.[30][31]

Launch and early releases

Villagers premiered on Disney+ on February 16, 2028, becoming the first released MIU project. Its first season concluded on April 5 and received generally positive reviews for its social worldbuilding, ensemble cast, and depiction of Villager professions, trade, and local government.[32][33][34]

Minecraft: The First Night opened theatrically on June 9, 2028. Directed by Miller and written by Goodwin, the film introduced Steve, Alex, Mina Quill, Garrick, Sola, Nia Vale, and the first evidence of the broken Seed. It grossed $1.041 billion worldwide, becoming Mob Studios' first billion-dollar film.[35][36]

The studio followed with Redstone and Netherbound in 2029. The series established the Overworld redstone network and led into the film's conflict surrounding the Nether's Crown Gate. Netherbound grossed $1.002 billion, making the studio's first two films consecutive billion-dollar releases.[37][38][39]

Deep Dark and Agent Derp were released in 2030. The former expanded the franchise into sound-driven horror and introduced the Warden, Edda, Mara Flint, and Torren, while the latter used an espionage comedy format to introduce the Obsidian Bureau and Wayfinder Atlas. Their contrasting genres were cited by Brow as evidence that the connected structure did not require a uniform tone.[40][41][42]

Expansion of Chapter One

In January 2030, Mob Studios expanded Chapter One with Minecraft: The Second Dawn, a second season of Villagers, and the Piglin political series Bastion. The studio also announced schedule changes for The Ender Crown and Minecraft: The Broken Seed. Cross said the dates had been moved because projects would not enter principal animation before their production screenplays were approved.[43][44]

The Ender Crown was released in July 2031 and developed the End as a civilization with independent gravity systems and memory archives. The second season of Villagers premiered in January 2032, followed by Bastion in April. Minecraft: The Second Dawn was released in November and grossed $1.187 billion worldwide.[45][46][47][48][49]

The studio increasingly used shared animation assets while assigning each production a distinct visual language. The Piglin character systems and Gilded Bastion environments created for Netherbound were expanded for Bastion, while the reconstruction effects developed for Minecraft: The Second Dawn were later incorporated into the World Loom sequences of Minecraft: The Broken Seed.[50]

Mob Studios announced a second chapter on March 28, 2033, approximately sixteen months before Chapter One concluded. The slate included seven films, five television projects, and two animated special presentations scheduled through 2038. Brow said the early announcement was possible because several projects—including The Wither, an Agent Derp sequel, Herobrine, and Ocean Monument—had already entered development independently.[5][51]

Conclusion of Chapter One and Chapter Two

Minecraft: The Broken Seed was released on July 14, 2034, after two major delays. The film brought together characters and systems from the preceding films and television series, concluded the Hollow King's storyline, and distributed the Seed's creative power among independent communities. It grossed $1.684 billion worldwide against a $260 million budget and became the studio's highest-grossing film.[4][11][52]

The film received critical acclaim for its animation, ensemble performances, score, and conclusion to Chapter One. Its production required Mob Studios Animation to combine Overworld, Nether, End, Deep Dark, Dawnstead, and Obsidian Bureau environments within single locations, leading the studio to expand its world-generation and continuity pipeline.[16][53]

Chapter Two began with The Wither on October 20, 2034. Directed by Jennifer Yuh Nelson, the dark-fantasy film followed Sola, Garrick, and Edda after soul sand began consuming memories released during the collapse of the World Loom. It grossed $947.4 million worldwide and became the studio's highest-grossing film that did not surpass $1 billion.[6][12]

Stronghold premiered on Disney+ on March 7, 2035, and concluded on April 11. The six-episode miniseries followed Cipher and Flint as the Obsidian Bureau's classified records generated independent operatives. It received the studio's highest Rotten Tomatoes score and recorded 13.8 million global views during its first five days.[54][7][13][14]

As of May 2035, Agent Derp: Stronghold Protocol, Herobrine, the second season of Deep Dark, and the special presentation Mushroom Island were in production. Ocean Monument and the second season of Bastion were in pre-production, while later Chapter Two projects remained in development.[55]

Organization

Leadership

Mob Studios operates as a division of Mob Productions rather than an independent corporation. Brow and Cross report to Mob Productions' senior leadership and work with Mojang on use of the Minecraft property, but the division maintains its own development, production, animation, television, and music operations.[56]

Brow oversees creative strategy, project development, chapter planning, and filmmaker recruitment. Cross supervises budgets, schedules, production approvals, partner studios, and coordination with Mojang. Both executives must approve the beginning of principal animation and changes that materially affect the shared continuity.[2][44]

Elridge oversees television development and serves as the principal liaison between series creators and the central story group. Goodwin works across film screenplays and franchise planning, while Miller leads development of the Seed mythology and has written, directed, or produced several of the studio's largest films. Brow has emphasized that Miller is not the studio's sole creative authority and that individual filmmakers retain control of their projects after continuity and production requirements are satisfied.[25][57]

Mara Venn oversees production design and shared visual development. Weston Doyle serves as the principal composer and musical supervisor of the Minecraft Universe, maintaining a thematic library that other composers may use or reinterpret.[58][59]

Relationship with Mojang Studios

Mojang Studios reviews scripts, concept art, creatures, crafting systems, and environmental rules to ensure that Mob Studios' productions remain recognizable as adaptations of Minecraft. The game developer does not require the films and series to reproduce gameplay literally and has approved original cultures, political systems, characters, and mythology when they remain compatible with the franchise's basic visual and mechanical identity.[27]

The companies jointly approved the distinction between the Minecraft Universe and Minecraft Stories. Mojang may also identify game updates, community traditions, maps, or legends that could support future adaptations, but Mob Studios determines whether a concept belongs in the connected universe or should remain standalone.[60]

Story and continuity group

Mob Studios maintains a central story database containing character histories, maps, timelines, crafting rules, portal mechanics, political agreements, settlement changes, and the production status of shared assets. Cross and Miller review major continuity decisions, while Elridge coordinates television developments that may affect later films.[61]

The database records consequences rather than only character appearances. Damage to infrastructure, changes in trade routes, political decisions, reconstructed settlements, and public knowledge may carry between projects even when no principal character crosses over. Brow has said that the studio attempts to avoid cameos and post-credits scenes that exist solely to advertise another release.[62]

Each filmmaker may introduce new societies, visual systems, locations, and interpretations of game mechanics when they do not contradict established rules. Significant additions are recorded for later productions, but the originating filmmaker is not required to convert a self-contained story into setup for a crossover.[63]

Production operations

Mob Studios Animation

Mob Studios Animation is the division's central animation unit. It develops character rigs, environmental systems, performance-capture tools, rendering methods, and reusable asset libraries for film and television. Major productions are divided between the internal unit and partner facilities operating through a shared asset and continuity pipeline.[9]

The studio's animation preserves the cubic construction and block-based terrain of the games while using more expressive facial movement, clothing, body language, lighting, weather, and physical interaction. Individual productions may modify proportions, motion, textures, and camera style without abandoning the recognizable geometry of the property.[29]

Shared systems include Overworld vegetation and villages, Piglin crowds and Nether settlements, End gravity and teleportation, Deep Dark sculk and sound response, redstone machinery, portals, strongholds, reconstruction effects, and mixed-dimensional generation. Assets are not reused without alteration when their original design does not suit a project's tone or scale.[50][64]

Television series use separate pipelines and production designs rather than simplified copies of the theatrical films. Villagers emphasizes populated settlements and occupational activity, Deep Dark uses darkness and sound-reactive environments, Bastion prioritizes dialogue and large council assemblies, and Stronghold uses restrained espionage spaces and record-based visual effects.[65]

Development and greenlighting

Cross established a policy that no film or television season would enter principal animation before its screenplay or complete season outline was approved. Release dates may be moved when story development, voice recording, visual design, or animation cannot be completed at the intended standard.[44]

Projects are generally developed by individual filmmakers before being assigned a place within a Chapter. Mob Studios may announce a broader slate before every screenplay is complete, but the studio distinguishes active production, pre-production, and early development in its public updates.[66]

The division aims to release one theatrical film approximately every 12 to 18 months rather than maintaining a fixed annual quota. Television series and special presentations may occupy longer theatrical gaps. Brow has said the studio would pause the franchise if the connected structure prevented individual productions from functioning as complete stories.[67]

Casting and performance

Mob Studios generally retains performers across films and television when the same character appears. Voice acting is combined with facial and body performance reference, although the degree of physical capture varies between productions.[68]

The studio recast the principal roles of Steve and Alex for the reboot, selecting Taron Egerton and Florence Pugh. Other recurring performers include Stephanie Hsu, Ayo Edebiri, Michelle Yeoh, Brian Tyree Henry, Dev Patel, Gugu Mbatha-Raw, Scott Menville, Jenny Slate, John Boyega, Bella Ramsey, and Jodie Comer.[69]

Menville's return as Derp did not establish continuity with the MCCU. Conversely, Riz Ahmed replaced Patel as Cael after Patel's separate character Ruun became increasingly prominent, allowing both characters to share scenes without being performed by the same actor.[31][70]

Mob Studios Music

Mob Studios Music supervises score production, soundtrack mastering, and album releases. Doyle composed the musical foundation of the Minecraft Universe and developed themes for the Overworld, Nether, End, Seed, Hollow King, redstone network, Deep Dark, and principal characters.[59]

Individual filmmakers and showrunners may select other composers. Television series generally use a Doyle-composed main theme with a separate episodic composer, while feature films may use Doyle's existing themes, create independent musical identities, or combine both approaches.[10]

The label has released soundtrack albums for each theatrical film and major television series. Instruments and recorded materials have included orchestra, choir, processed percussion, wood, stone, metal, glass, minecart wheels, pistons, pressure plates, bowed blocks, and custom resonant chambers.[71]

Brands and labels

Minecraft Universe

Main article: Minecraft Universe

The Minecraft Universe is Mob Studios' principal shared continuity. It is released in Chapters, each containing films, television series, and other productions connected by a larger storyline. The studio intends additional viewing to reward audiences without making television or special presentations mandatory for understanding the theatrical films.[28][62]

Chapter One consists of six films and five television seasons across four series. Its central storyline follows the fragmented Seed, the Hollow King, and systems designed to preserve routes, memories, identities, and dimensional stability. Chapter Two began in 2034 and concerns a world no longer generated from one authoritative pattern and the emergence of Herobrine from discarded player memories.[72][73]

Minecraft Stories

Main article: Minecraft Stories

Minecraft Stories is a label for productions outside the Minecraft Universe. It allows standalone films and television projects to use different continuities, visual styles, age groups, and interpretations of game mythology without affecting the shared franchise.[8]

The discontinued Minecraft Cinematic Universe is catalogued under the label for future home-media and streaming releases as "MCCU Legacy". Its films are not retroactively altered, and the canceled World of X – Part Two is not treated as a completed installment.[74]

Mob Studios has identified standalone seasonal specials, short films made with independent animation companies, remastered MCCU releases, and experimental projects based on community-created maps and legends as possible Minecraft Stories productions. As of May 2035, the studio had not announced a full theatrical Minecraft Stories film.[75]

Filmography

Feature films

For a more comprehensive list, see List of Minecraft Universe films.
Film Release date Director Chapter Status
Minecraft: The First Night June 9, 2028 (2028-06-09) Jackson Miller Chapter One Released
Netherbound November 2, 2029 (2029-11-02) Nia DaCosta Released
Agent Derp August 16, 2030 (2030-08-16) Jackson Gold Released
The Ender Crown July 18, 2031 (2031-07-18) Gareth Edwards Released
Minecraft: The Second Dawn November 19, 2032 (2032-11-19) Jackson Miller Released
Minecraft: The Broken Seed July 14, 2034 (2034-07-14) Jackson Miller Released
The Wither October 20, 2034 (2034-10-20) Jennifer Yuh Nelson Chapter Two Released
Agent Derp: Stronghold Protocol August 15, 2035 (2035-08-15) Jackson Gold In production
Herobrine November 7, 2035 (2035-11-07) Owen Mercer In production
Ocean Monument July 17, 2036 (2036-07-17) Nia DaCosta Pre-production
Minecraft: The Third Dawn June 18, 2037 (2037-06-18) Jackson Miller In development
The Far Lands November 19, 2037 (2037-11-19) Gareth Edwards In development
Minecraft: World Unmade December 15, 2038 (2038-12-15) Jackson Miller In development

Television series

Series Seasons Episodes Original release Network Status
Villagers 2 16 February 16, 2028 – March 5, 2032 Disney+ Concluded
Redstone 1 8 March 29 – May 17, 2029 Concluded
Deep Dark 2 16 February 21, 2030 – present In production
Bastion 2 16 April 9, 2032 – present Pre-production
Stronghold 1 6 March 7 – April 11, 2035 Concluded miniseries
End Cities 1 6 April 9 – May 14, 2037 In development
Illagers 1 8 February 11 – March 31, 2038 In development

Special presentations

Special Release date Network Status
Mushroom Island December 19, 2035 (2035-12-19) Disney+ In production
The Wandering Trader July 8, 2037 (2037-07-08) In development

Commercial performance

The seven theatrical films released by Mob Studios through May 2035 grossed $2.8349 billion in the United States and Canada and $4.6900 billion in other territories, for $7.5249 billion worldwide. Their combined reported production budgets total $1.295 billion.

Film U.S. and Canada Other territories Worldwide Budget
Minecraft: The First Night $421.8 million $619.2 million $1.041 billion $145 million
Netherbound $367.1 million $634.9 million $1.002 billion $180 million
Agent Derp $286.4 million $452.5 million $738.9 million $135 million
The Ender Crown $348.2 million $576.4 million $924.6 million $205 million
Minecraft: The Second Dawn $441.9 million $745.3 million $1.187 billion $195 million
Minecraft: The Broken Seed $612.7 million $1.0713 billion $1.684 billion $260 million
The Wither $356.8 million $590.6 million $947.4 million $175 million
Total $2.8349 billion $4.6900 billion $7.5249 billion $1.295 billion

Four Mob Studios films—Minecraft: The First Night, Netherbound, Minecraft: The Second Dawn, and Minecraft: The Broken Seed—grossed more than $1 billion worldwide. Minecraft: The Broken Seed is the studio's highest-grossing release, while Agent Derp is its lowest-grossing theatrical film at $738.9 million. Both were considered commercially successful relative to their production budgets.[11][76]

Mob Studios does not publicly disclose Disney+ revenue. The service has released selected viewership figures, including 13.8 million global five-day views for the premiere of Stronghold and 15.6 million for its finale.[13][77]

Critical reception

Mob Studios' released films and television projects have received generally positive reviews. Critics have frequently praised the division's animation, ensemble casts, production design, musical identity, and willingness to use different genres within the same franchise. Recurring criticism has concerned dense terminology, reliance on shared continuity, large ensembles, and the length of several crossover films.

Project Year Rotten Tomatoes Metacritic
Villagers, season 1 2028 88% 75/100
Minecraft: The First Night 2028 85% 72/100
Redstone 2029 91% 78/100
Netherbound 2029 82% 69/100
Deep Dark, season 1 2030 93% 81/100
Agent Derp 2030 85% 73/100
The Ender Crown 2031 88% 76/100
Villagers, season 2 2032 92% 80/100
Bastion, season 1 2032 89% 77/100
Minecraft: The Second Dawn 2032 91% 79/100
Minecraft: The Broken Seed 2034 92% 81/100
The Wither 2034 90% 78/100
Stronghold 2035 96% 84/100

Stronghold became the studio's best-reviewed project by Rotten Tomatoes score, with critics praising Talia Grant's writing, the performances of Jenny Slate, John Boyega, Jeffrey Wright, Giancarlo Esposito, and Rami Malek, and its treatment of institutional memory and generated identity.[14]

Deep Dark was praised for adapting survival-horror elements through sound-reactive animation rather than conventional violence, while Minecraft: The Broken Seed received acclaim for combining several dimensional environments and concluding Chapter One without restoring one definitive timeline.[15][16]

Netherbound has the studio's lowest Metacritic score, though it received positive reviews overall and was praised for its Piglin society, production design, and expansion of the Nether. Agent Derp received generally positive reviews for its comedy and treatment of surveillance, but some critics considered its spy framework familiar.[78][79]

Corporate identity

The Mob Studios logo uses a simplified block face formed from four offset cubes. The opening identity used for Minecraft Universe productions depicts the cubes assembling around a fractured Seed, while Minecraft Stories uses several independent worlds moving past one another without joining.[80][81]

Cross said the studio avoids placing a uniform visual presentation over every production. Individual title sequences may reinterpret the logo using a project's materials, including redstone, blackstone, sculk, End stone, soul sand, stronghold blocks, or reconstruction light.[82]

Future

Mob Studios' announced slate extends through Minecraft: World Unmade in December 2038. The studio has not announced whether the Minecraft Universe will continue with a third chapter, though Brow has said several concepts could support projects after Chapter Two.[83][84]

The division is also developing unannounced Minecraft Stories concepts and remastered releases of the MCCU catalog. Cross said the studio would not expand its annual release volume merely to maintain constant franchise visibility and would continue delaying projects that were not ready to enter production.[75][67]

See also

References

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  4. ↑ 4.0 4.1 Template:Cite press release
  5. ↑ 5.0 5.1 Template:Cite press release
  6. ↑ 6.0 6.1 Template:Cite press release
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  12. ↑ 12.0 12.1 Grant, Elise (January 12, 2035). "The Wither Finishes With $947.4 Million Worldwide". Pixel & Picture. p. 1. {{cite news}}: Check date values in: |date= (help)
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  15. ↑ 15.0 15.1 "Deep Dark". Rotten Tomatoes. April 2030. {{cite web}}: |access-date= requires |url= (help); Check date values in: |access-date= and |date= (help); Missing or empty |url= (help) "Deep Dark Reviews". Metacritic. April 2030. {{cite web}}: |access-date= requires |url= (help); Check date values in: |access-date= and |date= (help); Missing or empty |url= (help)
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  38. ↑ Template:Cite press release
  39. ↑ Grant, Elise (March 10, 2030). "Netherbound Completes Theatrical Run With $1.002 Billion". Pixel & Picture. p. 1. {{cite news}}: Check date values in: |date= (help)
  40. ↑ Template:Cite press release
  41. ↑ Template:Cite press release
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  50. ↑ 50.0 50.1 Venn, Mara (June 2032). "Expanding Shared Minecraft Assets Without Repeating Locations". Animation Ledger. pp. 30–45. {{cite magazine}}: Check date values in: |date= (help)
  51. ↑ Grant, Elise (March 28, 2033). "How Seven Existing Projects Became the Chapter Two Film Slate". Pixel & Picture. p. 2. {{cite news}}: Check date values in: |date= (help)
  52. ↑ Vale, Marissa (March 26, 2033). "The Broken Seed Carries $260 Million Production Budget". CraftWire. p. 1. {{cite news}}: Check date values in: |date= (help)
  53. ↑ Venn, Mara (August 2034). "Building Several Dimensions Inside One Film". Animation Ledger. pp. 40–59. {{cite magazine}}: Check date values in: |date= (help)
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  65. ↑ Ito, Ren (May 2035). "Five Series, Five Visual Languages". Animation Ledger. pp. 26–43. {{cite magazine}}: Check date values in: |date= (help)
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  84. ↑ Template:Cite interview

External links

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